Gaidāmās izrādes Sākot no šodienas
Iepriekšējās izrādes 2000 — vakar
Festivalul CellEAST - concert simfonic, KorngoldDvořákBeethoven
Filarmonica George EnescuConductor
Skatīt programmu, dalībniekus un komanduDipingere con le note, HindemithMussorgsky
Orchestra Sinfonica di Milano Giuseppe VerdiConductor
Skatīt programmu, dalībniekus un komandu5. Sinfoniekonzert, BernsteinKorngoldBartók
Hessisches Staatstheater WiesbadenConductor
Skatīt programmu, dalībniekus un komanduJunge Philharmonie Brandenburg, GriegRachmaninoffScholl, M. G.
Konzerthaus BerlinConductor
Skatīt programmu, dalībniekus un komandu-
Festivalul CellEAST - concert simfonic, KorngoldDvořákBeethoven
Filarmonica George EnescuConductor
Skatīt programmu, dalībniekus un komanduDipingere con le note, HindemithMussorgsky
Orchestra Sinfonica di Milano Giuseppe VerdiConductor
Skatīt programmu, dalībniekus un komanduJunge Philharmonie Brandenburg, GriegRachmaninoffScholl, M. G.
Konzerthaus BerlinConductor
Skatīt programmu, dalībniekus un komanduDie tote Stadt (The Dead City), Korngold
Staatsoper HamburgConductor
Skatīt dalībniekus un komanduTurandot, Puccini
Internationale MaifestspieleConductor
Skatīt dalībniekus un komanduCarmen, Bizet
Staatsoper HamburgConductor
Skatīt dalībniekus un komanduDer Freischütz, op. 77 (The Marksman), Von Weber
Staatsoper HamburgConductor
Skatīt dalībniekus un komanduYoel Gamzou is currently Generalmusikdirektor of the Theater Bremen, a position he began at the outset of the 2017/18 season with a critically acclaimed new production of Shostakovich’s Lady MacBeth of the Mtsensk District. This season in Bremen he will conduct Premieres of Elektra and Tosca. Elsewhere, he will make his debut at Bayerische Staatsoper with Seven Deaths of Maria Callas staged by Marina Abramovic and Tosca at Den Norske Opera Oslo. He will conduct symphonic concerts with the Norwegian Radio Orchestra, London Philharmonic, Oregon Symphony, Jyväskylä Sinfonia and to Japan. In the 2019/20 season he made his debut at Deutsche Oper Berlin with Tosca and conducted a new production of Der Rosenkavalier in Bremen. As constant promoter of young musicians, he once again conducted th