Northfield

Reino Unido

England

Greater London

Londres

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Londres, Reino Unido

The Mozartists

Orquestra

Approved

2024

2023

2022

2021

2019

Organization contributor ID

include virtual contributors

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maestro

Maquiador

Mestre de Coro

Orchestra Operations

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Cantor

Baixo

Tenor

Soprano

Mezzo-soprano

Barítono

Contratenor

Contralto

Alto

Continuo

Silent

Spoken

Vocalista Infantil

The Mozartists have a worldwide reputation for their fresh and dynamic performances of 18th-century and early 19th-century repertoire. Performing on period instruments or modern replicas, and working with an in-depth knowledge of 18th-century performance practice, these masterful players bring the music of Mozart and his contemporaries to vivid and dramatic life.

Our orchestra varies in size depending on repertoire and venue, and comprises some of the leading players in their field. It is widely recognised for its insightful and charismatic performances, and is equally at home in concert halls and opera houses.

The Mozartists play at a standardised ‘Classical’ pitch of A=430 Hz per second (or 415 Hz for baroque repertoire). The instruments of Mozart’s time were generally quieter but with a wider tonal variety across the range of each instrument. They are almost without exception more difficult to play than their modern counterparts, but the rewards of mastering them are immeasurable. Eighteenth-century instruments are very different from their modern counterparts: the sound of the older instruments is more lithe and agile, with a much quicker decay to the sound. Vibrato was in those days used as an occasional effect, with a less homogenous tone across the range of the instrument but with a wider variety of colour. With access to new materials through global trade and advances in technology instruments evolved, and today’s instruments are lighter, more robust and generally louder. Most eighteenth-century instruments are far more exposed and difficult to play than their modern equivalents, but they bring a thrilling vibrancy and immediacy to the music. This is particularly true of vocal repertoire, where the orchestra provides a dynamic subtext and often becomes an extra character in the drama. Like Mozart’s musicians, our players are able to improvise around a given melody or harmonic sequence, bringing their own interpretation to a work and ensuring that audiences never hear the same thing twice.

English

The Mozartists

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