Northfield

United Kingdom

England

Greater London

London

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Phone number

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Website

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London, United Kingdom

The Mozartists

Orchestra

Approved

2024

2023

2022

2021

2019

Organization contributor ID

include virtual contributors

Pianist

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Composer

Conductor

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Bass-baritone

Baritone

Tenor

Soprano

Countertenor

Bass

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The Mozartists have a worldwide reputation for their fresh and dynamic performances of 18th-century and early 19th-century repertoire. Performing on period instruments or modern replicas, and working with an in-depth knowledge of 18th-century performance practice, these masterful players bring the music of Mozart and his contemporaries to vivid and dramatic life.

Our orchestra varies in size depending on repertoire and venue, and comprises some of the leading players in their field. It is widely recognised for its insightful and charismatic performances, and is equally at home in concert halls and opera houses.

The Mozartists play at a standardised ‘Classical’ pitch of A=430 Hz per second (or 415 Hz for baroque repertoire). The instruments of Mozart’s time were generally quieter but with a wider tonal variety across the range of each instrument. They are almost without exception more difficult to play than their modern counterparts, but the rewards of mastering them are immeasurable. Eighteenth-century instruments are very different from their modern counterparts: the sound of the older instruments is more lithe and agile, with a much quicker decay to the sound. Vibrato was in those days used as an occasional effect, with a less homogenous tone across the range of the instrument but with a wider variety of colour. With access to new materials through global trade and advances in technology instruments evolved, and today’s instruments are lighter, more robust and generally louder. Most eighteenth-century instruments are far more exposed and difficult to play than their modern equivalents, but they bring a thrilling vibrancy and immediacy to the music. This is particularly true of vocal repertoire, where the orchestra provides a dynamic subtext and often becomes an extra character in the drama. Like Mozart’s musicians, our players are able to improvise around a given melody or harmonic sequence, bringing their own interpretation to a work and ensuring that audiences never hear the same thing twice.

English

The Mozartists

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