Director(a) de escena

Stephan Suschke

Artist

Approved

2022

2020

2018

2016

2014

2012

2010

2009

2008

2007

2006

1999

Individual contributor id

include virtual contributors

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) orquestal

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Bajo

Cantante

Contratenor

Contralto

Mezzosoprano

Barítono

Soprano

Bajobarítono

Tenor

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

Parsifal – that is the creation with which Richard Wagner said goodbye to the world as an artist. When he took on this work, he found himself at a turning point in his life: in 1876 he was able to open the Festspielhaus in Bayreuth, a theater that was to be dedicated solely to the performance of his works. He had now finally established himself as a permanent fixture in German cultural life, even if he was still heavily disputed as a person and as an artist. And you can see that in his last opera. Because here Wagner no longer had to take any considerations and as an artist he was completely in tune with himself. And so this stage consecration festival play is the "realest" Wagner: authentic, expansive, magical, gripping, demanding and knowledge-promoting. This stage consecration festival will be staged around the fool Parsifal, who works out the virtue of compassion and can thus redeem the suffering knighthood that guards the Holy Grail, the Linz drama director Stephan Suschke. Tickets & Info:https://bit.ly/ltl_parsifal2022

Musical direction Markus Poschner Staging Stephan Suschke Stage Momme Röhrbein Costumes Angelika Rieck Dramaturgy Christoph Blitt Conductor Elena Pierini Conductor Extrachorus Martin Zeller Conductor Children's and Youth Choir Olga Bolgari Subsequent conductor Ingmar Beck Amfortas Martin Achrainer Titurel William Mason Gurnemanz Michael Wagner Parsifal Heiko Börner Klingsor Adam Kim Kundry Katherine Lerner First Knight of the Grail Jin Hun Lee Domen Fajfar Second Knight of the Grail Tomaz Kovacic First Squire Fenja Lukas Second Squire Vera Maria Bitter Third Squire Seogmann Keum Jin Hun Lee Fourth Squire Grégoire Delamare Klingsor's Magic Maid Ilona Revolskaya Hanyi Jang Jana Markovic Fenja Lukas Tina Josephine Jaeger Vera Maria Bitter Heartache ( voice from above) Vaida Raginskytė Choir of the Landestheater Linz Extrachoir of the Landestheater Linz Children's andYouth choir of the Landestheater Linz Extras of the Landestheater Linz Bruckner Orchestra Linz Video: Jonatan Salgado Romero

Stephan Suschke

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