Actor (+1)

Actor, Stage director

Stanislas Nordey

Paris, FR

Actor

Stage director

Artist

Approved

2021

2013

2011

2009

2008

2007

2006

2005

2004

2003

2002

2001

2000

1999

1998

1997

Individual contributor id

include virtual contributors

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Conductor

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Mezzo-soprano

Singer

Countertenor

Contralto

Tenor

Baritone

Soprano

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

"The Satin Shoe"

"The subject of Le Soulier de satin is that of the Chinese legend of the two stellar lovers who, each year, after long wanderings, manage to confront each other, without ever being able to meet, on one side and on the other. of the Milky Way", summed up Paul Claudel. The play, whose power of attraction has never been denied, occupies a special place in the theatrical repertoire of the 20th century: written between 1919 and 1924, it was created by Jean-Louis Barrault in 1943 in an abridged version and had to wait for Antoine Vitez to be played in its entirety: the show given in the courtyard of the Palais des Papes in 1987 lasted more than ten hours and marked a whole generation of spectators, including Marc-André Dalbavie. Subtitled The worst is not always certain, Le Soulier de satin is an immense parable alternating between the sublime, the comic and the disturbing, deployed in an era – the Spanish Golden Age – when humanity is experiencing a first “globalization”. Confronting the passionate desire for individual happiness, the injunction of the external imperative and the aspiration to the universal, the work installs the spectator between hypnosis and joy for several hours. This new opera is the third of the world premieres commissioned by the Paris Opera making up the cycle on French literature.https://www.operadeparis.fr/saison-20...

Stanislas Nordey

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