Kommende forestillinger I dag og frem
Tidligere forestillinger 2002 – i går
Wagner: El Ocaso de los Dioses, Parra, H.Wagner, Richard
L'AuditoriSoprano
Se program, medvirkende og produktionsholdGötterdämmerung (The Twilight of the Gods), Wagner, Richard
Southbank CentreGutrune
Se medvirkende og produktionsholdRusalka, Dvořák
Palau de les Arts Reina SofiaLa princesa extranjera
Se medvirkende og produktionsholdLohengrin, Wagner, Richard
Opéra National de ParisElsa von Brabant (Elsa of Brabant)
Se medvirkende og produktionsholdWagner: El Ocaso de los Dioses, Parra, H.Wagner, Richard
L'AuditoriSoprano
Se program, medvirkende og produktionsholdGötterdämmerung (The Twilight of the Gods), Wagner, Richard
Southbank CentreGutrune
Se medvirkende og produktionsholdRusalka, Dvořák
Palau de les Arts Reina SofiaLa princesa extranjera
Se medvirkende og produktionsholdLohengrin, Wagner, Richard
Savonlinna Opera FestivalElsa von Brabant (Elsa of Brabant)
Se medvirkende og produktionsholdSuor Angelica (Sister Angelica), Puccini
English National OperaSuor Angelica (Sister Angelica)
Se medvirkende og produktionsholdFidelio, Beethoven
Washington National Opera (The Kennedy Center)Leonore
Se medvirkende og produktionsholdfre.19:30
Washington D.C., United Statessøn.14:00
Washington D.C., United Statestirs.19:30
Washington D.C., United StatesFollowing a successful career as an acclaimed light-lyric soprano, Sinead has recently made the exciting transition into fuller dramatic repertoire. Next seasons engagements will include her first performances as Tosca at Ireland’s National Concert Hall, and sees her return to the UK to sing her first Verdi requiem in Manchester and to cover the title role in Aridne auf Naxos for Scottish Opera. This season saw Sinead’s critically acclaimed debuts with Opera Northern Ireland in Radamisto ‘ Sinéad Campbell-Wallace, the evening’s most sumptuous and rounded voice’…’a wonderful impassioned performance’ and Carmen with Cork Opera House ‘Soprano Sinéad Campbell-Wallace brought a purity of voice and presentation to Micaela’ as well as a widely praised return to Opera Theatre Company in the