Muusikalised teosed
3Etenduse krediiti
Varasemad etendused 2012 – eile
30° Premio Internazionale Boris Christoff, DonizettiHändelHutchingsScarlatti, AlessandroRossiniPaolo TostiGurney, I.CatalaniPuccini
Associazione Culturale Buggiano CastelloPrix Fixe, Wilt
La serva padrona (The Maid Turned Mistress), Pergolesi
Stage director + 1 rolli
Vaadake programmi, näitlejaid ja meeskondaIn Seasons of Life's Pursuit, Hutchings
Dover Beach, op. 3, Barber
Aprile, Paolo Tosti
La Serenata, Paolo Tosti
Ideale, Paolo Tosti
Non t'amo più! (I don't love you any more), Paolo Tosti
Don Quichotte à Dulcinée, M. 84 (Don Quichotte to Dulcinea), Ravel
Eastman School of MusicThe Phantom of the Opera, Lloyd Webber
Houghton College’s Lyric TheatreStage director + 1 rolli
Vaadake näitlejaid ja meeskondaAmerican Opera Initiative: Three 20-Minute Operas, Hutchings
Washington National OperaComposer
Vaadake näitlejaid ja meeskondaEsiletõstetud varasemad esinemised
30° Premio Internazionale Boris Christoff, DonizettiHändelHutchingsScarlatti, AlessandroRossiniPaolo TostiGurney, I.CatalaniPuccini
Associazione Culturale Buggiano Castello
The Phantom of the Opera, Lloyd Webber
Houghton College’s Lyric TheatreStage director + 1 rolli
Vaadake näitlejaid ja meeskonda
American Opera Initiative: Three 20-Minute Operas, Hutchings
Washington National OperaComposer
Vaadake näitlejaid ja meeskonda
"Song" from Vestige of a Woman, Hutchings
Glimmerglass FestivalComposer
Vaadake näitlejaid ja meeskonda
Il mondo della luna (Life on the Moon), Haydn
Cincinnati Chamber OperaStage director
Vaadake näitlejaid ja meeskondaBiograafia
Sarah Hutchings was previously Composer in Residence with the Washington National Opera’s American Opera Initiative program, and Composer Fellow at the John Duffy Institute. She previously apprenticed composer Ricky Ian Gordon while assisting the workshop of Gordon’s opera, Morning Star, as part of the Opera Fusion program at Cincinnati Opera. She has also apprenticed composer Carlisle Floyd during his residency at the University of Cincinnati. The Washington Post has hailed her music as an “appealing…sinuous” musical flavor, with works that capture drama and poetry, and sounds that color outside the lines. Fascinated by the use of aural color in all of her works, she gravitates to creative projects that are graphic, uninhibited, or evoke physicality. Sarah Hutchings is based in New York
