Name: Yevgeny Onegin
Start: 2015-12-19T00:00:00.000Z
End: 2016-01-07T00:00:00.000Z
Location: Royal Opera House

Admin

Organization

Baritone

Dmitri Hvorostovsky

Eugene Onegin

Soprano

Nicole Car

Tatiana

Contralto

Oksana Volkova

Olga

Bass

Ferruccio Furlanetto

Prince Gremin

Brindley Sherratt

Mezzo-soprano

Diana Montague

Larina

Catherine Wyn-Rogers

Filippyevna

Tenor

Jean-Paul Fouchécourt

Triquet

David Shipley

Company Commander

James Platt

Zaretsky

Conductor

Semyon Bychkov

Stage director

Kasper Holten

Costume designer

Katrina Lindsay

Set designer

Mia Stensgaard

Michael Fabiano

Lensky

Royal Opera House

ruština

Yevgeny Onegin -  (Eugene Onegin)

London

United Kingdom

angličtina

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

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Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

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Choir

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Poet

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Writing and performance

Chorus Director

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Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Acclaimed Russian conductor Semyon Bychkov discusses his approach to the characters of Tchaikovsky's great opera Eugene Onegin, refined over his decades-long relationship with what he calls one of his 'first operatic loves'. Find out more at http://www.roh.org.uk/eugeneonegin


Pyotr Il’yich Tchaikovsky’s best-loved opera, Eugene Onegin, is based on Alexander Pushkin’s verse novel of the same name. It provided Tchaikovsky with an opportunity to present everyday and authentic experiences on the stage, in contrast to the epic narratives that characterized much European opera of the time. After initial consternation that Tchaikovsky should set to music this pinnacle of Russian literature, Eugene Onegin quickly became a firm favourite with Russian audiences. Within a decade of its 1879 premiere it had been performed over one hundred times in St Petersburg.

Tchaikovsky’s deep sympathy for his heroine Tatyana is shown in the tenderness of her music. Her yearning string motif opens the opera and it gains full expression in her letter aria in Act I – one of the most intense solo scenes ever written for the soprano voice. In Kasper Holten’s production, the turbulence of Tatyana and Onegin’s youth is contrasted with the self-realization they gain in later life. The staging foregrounds the power of memory and the futile desire to rewrite the past.

Conductor Semyon Bychkov on Eugene Onegin (The Royal Opera)

Eugene Onegin by Tchaikovsky, P. I., po 04 led 2016, Od (2015/2016), Režie Kasper Holten,, Dirigent Semyon Bychkov, Royal Opera House, London, United Kingdom

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Program, Informace a Synopsis

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