Name: Vienna Philharmonic · Andris Nelsons
Start: 2018-07-28T00:00:00.000Z
End: 2018-07-29T00:00:00.000Z
Location: Großes Festspielhaus

Organization

Singer

Håkan Hardenberger

Trumpet

Soprano

Lucy Crowe

Contralto

Ekaterina Gubanova

Chorus master

Howard Arman

Conductor

Andris Nelsons

Mezzo-soprano

Salzburger Festspiele

Others

Chor des Bayerischen Rundfunks

Orchestra

Wiener Philharmoniker

Vienna Philharmonic · Andris Nelsons

Salzburg

Austria

Großes Festspielhaus

Passion: In music, this means first of all the report of the suffering and death of Jesus. But would any art be conceivable without passion, without burning passion? Suffering creates many things. It can be the goal – or a means to an end – of a theologically understood salvation, a general spiritual overcoming, a dissolution of boundaries. Suffering can also mobilize creative powers and become the starting point for new artistic deeds.
This time, the Ouverture spiritual brings together works that make what has been endured tangible, what has been lived through, what has been suffered, what has been obsessively negotiated. Some even demands extreme contemplation, often close to suffering, from the performers - and the audience is not spared unexpected experiences on sounding crossroads. As already intended by the Greek tragedy, lamentation and shuddering may lead to catharsis, to spiritual purification.
Penderecki's monumental St. Luke Passion marks the beginning. It builds bridges to the Renaissance, to the Holy Week eclipse; to the Baroque, to Biber and to Bach's Mass in B minor; to classical music, to Mozart and to Beethoven's Christ on the Mount of Olives; to Romanticism, to Liszt's enigmatic late work Via crucis. And into the 20th century – to Galina Ustvolskaja, in whose music suffering and passion come together in an exemplary manner. Important works of film history, such as Pier Paolo Pasolini's Il Vangelo secondo Matteo, reflect the theme in their own way. Alessandro Stradella's San Giovanni Battista forms a baroque counterpart to Strauss' Salome. The last evening combines all the passions once again - with Bernd Alois Zimmermann's trumpet concerto Nobody knows de trouble I see, which rebels against racism, and Mahler's second, the "Resurrection Symphony":

***

PROGRAM

Bernd Alois Zimmermann: Nobody knows de trouble I see.
Concerto for trumpet and orchestra

Gustav Mahler: Symphony No. 2 in C minor – “Resurrection”

Overture spiritual - Andris Nelsons conducts Zimmermann and Mahler: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Countertenor

Baritone

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Vienna Philharmonic · Andris Nelsons by Various, Ħad 29 Lul 2018, Minn (2018/2018), Surmast Direttur Andris Nelsons, Großes Festspielhaus, Salzburg, Austria

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Kast

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Ensemble

Programm, Dwar & Sinossi

Ritratti

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