Name: Tosca
Start: 2023-03-10T00:00:00.000Z
End: 2023-03-19T00:00:00.000Z
Location: Moniuszko Auditorium

Organization

Dirigat

Patrick Fournillier

Regie

Barbara Wysocka

Bühnenbild

Barbara Hanicka

Kostümbild

Julia Kornacka

Choreographie

Jacek Przybyłowicz

Lichtgestaltung

Marc Heinz

Videogestaltung

Lea Mattausch

Artur Sienicki

Chordirektion

Mirosław Janowski

Sänger

Sopran

Aleksandra Kurzak

Floria Tosca

Tenor

Murat Karahan

Mario Cavaradossi

Piotr Maciejowski

Spoletta

Bass

Adam Kruszewski

Sciarrone

Paweł Trojak

Cesare Angelotti

Bariton

Mikołaj Zalasiński

Baron Scarpia

Dariusz Machej

Der Mesner

Izabela Matuła

Tadeusz Szlenkier

Krzysztof Szumanski

Khatuna Chokhonelidze

Andrea Carè

Jasin Rammal-Rykała

Danuta Chmurska

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

The Władysław Skoraczewski Artos Youth Choir

Italienisch

Tosca

Warschau

Polen

Moniuszko Auditorium

Tosca Puccini

Public

Polnisch

Genehmigt

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Andere

Chor

Chorus Director

Dramaturgie

Extra

GesangslehrerIn

Haar

Illustrator

Komposition

Korrepetition

Lehrer

Leitender Produzent

Libretto

Maske

Orchester

Orchestra Operations

Photographer

Poet

Rundfunk

Schauspiel

Stage Manager

Tongestaltung

Tänzer

Wig & Makeup Designer

Writer

Writing and performance

Übersetzung

Bass-Bariton

Countertenor

Mezzosopran

Alto

Continuo

Kinderstimme

Sprechrolle

Stumme Rolle

TOSCA – Giacomo Puccini
Premiera: 23.02.2019, TW-ON
Opera w trzech aktach

Not unlike Picasso or Klimt, Puccini painted a series of fascinating and multifaceted female portraits. His Manon, Mimi, Tosca, Cio-Cio-San, Magda, and the seemingly frigid Turandot who secretly pines for love, continue to spellbind opera audiences across the world. As time goes by, the characters do not lose any of their distinct flavour, appeal, and relevance, although their stories are set is long-gone realities. Ever since its 1900 premiere at the Teatro Constanzi in Rome, Tosca has sold-out nearly everywhere it was put on. The tragic love story involving blackmail, cruelty, different dimensions of humanity and its lack, crime, and amoral attitudes fascinates audiences that become engulfed by this deadly love tornado.

Puccini had aspired to write an opera to a libretto based on Victorien Sardou’s text since 1889. That was when he first saw Tosca on stage with Sarah Bernhardt in the lead part. He was not a recognised composer back then, which reduced his chances of obtaining the commission. The competition was fierce: Verdi himself was interested in the material. Prominent Italian editor and musician Giulio Ricordi recommended Alberto Franchetti for the task. The young composer did not come to an agreement with librettist Luigi Illika and the job was given to Puccini.

Originally set in Rome at the turn of the 18th and 19th centuries, in Barbara Wysocka’s staging the story moves to Italy of the 1970s, a period of violence inflicted by the Red Brigades in response to the neo-fascist activities of the 1960s. The political turmoil, abuses of power, impotence of the state, social rebellion, violence and terror seems to affect the lovers’ tragic fate.

Although the eponymous Tosca is not a femme fatale, her impulsive actions lead to the demise of the man she loves. Faced with a tragic choice, the more the tries to avert calamity, the more imminent it becomes. Driven by the truest love, she unwittingly brings disaster to herself and her beloved. Regardless of her strength of character, courage, and noble intentions, she becomes both the victim and the perpetrator.

The compelling atmosphere is underscored by Puccini’s extraordinary music, full of contradictions, twists and turns that perfectly render the broad array of emotions unfolding on stage: piano and forte, bel canto and scream, whispering and dramatic solo parts, love and death. The contrasts are a proof of the composer’s ability to express both violence and delicacy. The opera also amazes with arresting arias sung by the leads: Floria Tosca’s ‘Vissi d’arte’ and Mario Cavaradossi’s ‘E lucevan le stelle’.

The atmosphere surrounding the premiere of Puccini’s work was tense owing to the developments across Europe and in Rome itself. The cast had received threats in their post and a rumour was going around that someone had planted a bomb at the theatre. The auditorium was in turmoil and panic. The performance was stopped and started anew. Despite the incidents, Tosca proved a success. The audience demanded encores. Today, the piece is among the most frequently staged operas internationally, along with Carmen, The Magic Flute, La bohème, Eugene Onegin, and La traviata. This true masterpiece of the late romantic period returned on the stage of the Polish National Opera in 2019.

English

Tosca by Puccini, Sa. 11 März 2023, Ab (2023/2023), Unter der Regie von Barbara Wysocka,, Dirigat Patrick Fournillier, Moniuszko Auditorium, Warschau, Polen

Aufführungskredite (Besetzung & Produktionsteam )

Besetzung

Produktionsteam

Ensemble

Programm, Info & Synopsis

Videos

Fotos

Weiterführende Literatur

Aufführungstermine & Spielstätten

Veranstaltungsorte