Name: Tosca
Start: 2022-01-14T00:00:00.000Z
End: 2022-01-23T00:00:00.000Z
Location: Teatr Wielki - Opera Narodowa

Organization

Soprano

Izabela Matuła

Floria Tosca

Tenor

Hovhannes Ayvazyan

Mario Cavaradossi

Baritone

Mikołaj Zalasiński

Baron Scarpia

Piotr Maciejowski

Spoletta

Bass

Adam Kruszewski

Sciarrone

Ewa Vesin

Tadeusz Szlenkier

Krzysztof Szumanski

Dariusz Machej

The sacristan

Stage director

Barbara Wysocka

Conductor

Patrick Fournillier

Lighting designer

Marc Heinz

Costume designer

Julia Kornacka

Set designer

Barbara Hanicka

Video designer

Lea Mattausch

Artur Sienicki

Choreographer

Jacek Przybyłowicz

Chorus master

Mirosław Janowski

Danuta Chmurska

Make-up and hairstyles designs

Mateusz Stępniak

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

Instrumentalists of the Teatr Wielki's orchestra

italia

Tosca

Warsaw

Poland

Sala Moniuszki

Tosca Puccini

Public

puola

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

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Oboist

hornist

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Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Dancer

Actor

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Bass-baritone

Singer

Countertenor

Contralto

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Teaser - 
TOSCA – Giacomo Puccini
Premiera: 23.02.2019, TW-ON
Opera w trzech aktach

Dyrygent: Tadeusz Kozłowski
Reżyseria: Barbara Wysocka
Scenografia: Barbara Hanicka
Kostiumy: Julia Kornacka
Choreografia: Jacek Przybyłowicz
Reżyseria świateł: Marc Heinz
Projekcje video: Lea Mattausch i Artur Sinicki
Projekty charakteryzacji i fryzur: Mateusz Stępniak
Przygotowanie chóru: Mirosław Jankowski
Przygotowanie chóru dziecięcego: Danuta Chmurska

OBSADA
Tosca: Svetlana Kasyan, Ewa Vesin
Caravadossi: Massimo Giordano
Scarpia: Mikołaj Zalasiński
Angelotti: Jasin Rammal-Rykała
Zakrystianin: Jose Fardilha
Spoletta: Mateusz Zajdel
Sciarrone: Adam Kruszewski
Chór i Orkiestra Teatru Wielkiego – Opery Narodowej

Więcej na https://teatrwielki.pl/ 
Realizacja: Ewa Polska

 [ENGLISH] 

TOSCA – Giacomo Puccini
Premiere: 23.02.2019, TW-ON
Opera in three acts

Conductor: Tadeusz Kozłowski
Director: Barbara Wysocka
Set designer: Barbara Hanicka
Costume designer: Julia Kornacka
Choreography: Jacek Przybyłowicz
Lighting designer: Marc Heinz
Video projections: Lea Mattausch i Artur Sinicki
Make up: Mateusz Stępniak
Chorus master: Mirosław Jankowski
Children's Chorus master: Danuta Chmurska

CAST
Tosca: Svetlana Kasyan, Ewa Vesin
Caravadossi: Massimo Giordano
Scarpia: Mikołaj Zalasiński
Angelotti: Jasin Rammal-Rykała
Sacristan: Jose Fardilha
Spoletta: Mateusz Zajdel
Sciarrone: Adam Kruszewski
Chór i Orkiestra Teatru Wielkiego – Opery Narodowej

More info: www.teatrwielki.pl 
Credit: Ewa Polska

Not unlike Picasso or Klimt, Puccini painted a series of fascinating and multifaceted female portraits. His Manon, Mimi, Tosca, Cio-Cio-San, Magda, and the seemingly frigid Turandot who secretly pines for love, continue to spellbind opera audiences across the world. As time goes by, the characters do not lose any of their distinct flavour, appeal, and relevance, although their stories are set is long-gone realities. Ever since its 1900 premiere at the Teatro Constanzi in Rome, Tosca has sold-out nearly everywhere it was put on. The tragic love story involving blackmail, cruelty, different dimensions of humanity and its lack, crime, and amoral attitudes fascinates audiences that become engulfed by this deadly love tornado.

Puccini had aspired to write an opera to a libretto based on Victorien Sardou’s text since 1889. That was when he first saw Tosca on stage with Sarah Bernhardt in the lead part. He was not a recognised composer back then, which reduced his chances of obtaining the commission. The competition was fierce: Verdi himself was interested in the material. Prominent Italian editor and musician Giulio Ricordi recommended Alberto Franchetti for the task. The young composer did not come to an agreement with librettist Luigi Illika and the job was given to Puccini.

Originally set in Rome at the turn of the 18th and 19th centuries, in Barbara Wysocka’s staging the story moves to Italy of the 1970s, a period of violence inflicted by the Red Brigades in response to the neo-fascist activities of the 1960s. The political turmoil, abuses of power, impotence of the state, social rebellion, violence and terror seems to affect the lovers’ tragic fate.

Although the eponymous Tosca is not a femme fatale, her impulsive actions lead to the demise of the man she loves. Faced with a tragic choice, the more the tries to avert calamity, the more imminent it becomes. Driven by the truest love, she unwittingly brings disaster to herself and her beloved. Regardless of her strength of character, courage, and noble intentions, she becomes both the victim and the perpetrator.

The compelling atmosphere is underscored by Puccini’s extraordinary music, full of contradictions, twists and turns that perfectly render the broad array of emotions unfolding on stage: piano and forte, bel canto and scream, whispering and dramatic solo parts, love and death. The contrasts are a proof of the composer’s ability to express both violence and delicacy. The opera also amazes with arresting arias sung by the leads: Floria Tosca’s ‘Vissi d’arte’ and Mario Cavaradossi’s ‘E lucevan le stelle’.

The atmosphere surrounding the premiere of Puccini’s work was tense owing to the developments across Europe and in Rome itself. The cast had received threats in their post and a rumour was going around that someone had planted a bomb at the theatre. The auditorium was in turmoil and panic. The performance was stopped and started anew. Despite the incidents, Tosca proved a success. The audience demanded encores. Today, the piece is among the most frequently staged operas internationally, along with Carmen, The Magic Flute, La bohème, Eugene Onegin, and La traviata. This true masterpiece of the late romantic period returned on the stage of the Polish National Opera in 2019.

English

Tosca by Puccini, su 16 tammi 2022, Alkaen (2022/2022), Ohjannut Barbara Wysocka,, Musiikinjohto Patrick Fournillier, Teatr Wielki - Opera Narodowa, Warsaw, Poland

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