Name: Tosca
Start: 2022-01-14T00:00:00.000Z
End: 2022-01-23T00:00:00.000Z
Location: Teatr Wielki - Opera Narodowa

Organization

Cantor

Soprano

Izabela Matuła

Floria Tosca

Tenor

Hovhannes Ayvazyan

Mario Cavaradossi

Barítono

Mikołaj Zalasiński

Barão Scarpia

Piotr Maciejowski

Spoletta

Baixo

Adam Kruszewski

Sciarrone

Ewa Vesin

Tadeusz Szlenkier

Krzysztof Szumanski

Dariusz Machej

Um sacristão

Diretor de Palco

Barbara Wysocka

Maestro

Patrick Fournillier

Designer de Iluminação

Marc Heinz

Estilista

Julia Kornacka

Cenógrafo

Barbara Hanicka

Designer de Vídeo

Lea Mattausch

Artur Sienicki

Coreógrafo

Jacek Przybyłowicz

Mestre de Coro

Mirosław Janowski

Danuta Chmurska

Make-up and hairstyles designs

Mateusz Stępniak

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

Instrumentalists of the Teatr Wielki's orchestra

italiano

Tosca

Varsóvia

Polônia

Sala Moniuszki

Tosca Puccini

Public

polonês

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

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Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chorus Director

Compositor

Coral

Dançarino

Designer de Som

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Mezzo-soprano

Contratenor

Contralto

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Teaser - 
TOSCA – Giacomo Puccini
Premiera: 23.02.2019, TW-ON
Opera w trzech aktach

Dyrygent: Tadeusz Kozłowski
Reżyseria: Barbara Wysocka
Scenografia: Barbara Hanicka
Kostiumy: Julia Kornacka
Choreografia: Jacek Przybyłowicz
Reżyseria świateł: Marc Heinz
Projekcje video: Lea Mattausch i Artur Sinicki
Projekty charakteryzacji i fryzur: Mateusz Stępniak
Przygotowanie chóru: Mirosław Jankowski
Przygotowanie chóru dziecięcego: Danuta Chmurska

OBSADA
Tosca: Svetlana Kasyan, Ewa Vesin
Caravadossi: Massimo Giordano
Scarpia: Mikołaj Zalasiński
Angelotti: Jasin Rammal-Rykała
Zakrystianin: Jose Fardilha
Spoletta: Mateusz Zajdel
Sciarrone: Adam Kruszewski
Chór i Orkiestra Teatru Wielkiego – Opery Narodowej

Więcej na https://teatrwielki.pl/ 
Realizacja: Ewa Polska

 [ENGLISH] 

TOSCA – Giacomo Puccini
Premiere: 23.02.2019, TW-ON
Opera in three acts

Conductor: Tadeusz Kozłowski
Director: Barbara Wysocka
Set designer: Barbara Hanicka
Costume designer: Julia Kornacka
Choreography: Jacek Przybyłowicz
Lighting designer: Marc Heinz
Video projections: Lea Mattausch i Artur Sinicki
Make up: Mateusz Stępniak
Chorus master: Mirosław Jankowski
Children's Chorus master: Danuta Chmurska

CAST
Tosca: Svetlana Kasyan, Ewa Vesin
Caravadossi: Massimo Giordano
Scarpia: Mikołaj Zalasiński
Angelotti: Jasin Rammal-Rykała
Sacristan: Jose Fardilha
Spoletta: Mateusz Zajdel
Sciarrone: Adam Kruszewski
Chór i Orkiestra Teatru Wielkiego – Opery Narodowej

More info: www.teatrwielki.pl 
Credit: Ewa Polska

Not unlike Picasso or Klimt, Puccini painted a series of fascinating and multifaceted female portraits. His Manon, Mimi, Tosca, Cio-Cio-San, Magda, and the seemingly frigid Turandot who secretly pines for love, continue to spellbind opera audiences across the world. As time goes by, the characters do not lose any of their distinct flavour, appeal, and relevance, although their stories are set is long-gone realities. Ever since its 1900 premiere at the Teatro Constanzi in Rome, Tosca has sold-out nearly everywhere it was put on. The tragic love story involving blackmail, cruelty, different dimensions of humanity and its lack, crime, and amoral attitudes fascinates audiences that become engulfed by this deadly love tornado.

Puccini had aspired to write an opera to a libretto based on Victorien Sardou’s text since 1889. That was when he first saw Tosca on stage with Sarah Bernhardt in the lead part. He was not a recognised composer back then, which reduced his chances of obtaining the commission. The competition was fierce: Verdi himself was interested in the material. Prominent Italian editor and musician Giulio Ricordi recommended Alberto Franchetti for the task. The young composer did not come to an agreement with librettist Luigi Illika and the job was given to Puccini.

Originally set in Rome at the turn of the 18th and 19th centuries, in Barbara Wysocka’s staging the story moves to Italy of the 1970s, a period of violence inflicted by the Red Brigades in response to the neo-fascist activities of the 1960s. The political turmoil, abuses of power, impotence of the state, social rebellion, violence and terror seems to affect the lovers’ tragic fate.

Although the eponymous Tosca is not a femme fatale, her impulsive actions lead to the demise of the man she loves. Faced with a tragic choice, the more the tries to avert calamity, the more imminent it becomes. Driven by the truest love, she unwittingly brings disaster to herself and her beloved. Regardless of her strength of character, courage, and noble intentions, she becomes both the victim and the perpetrator.

The compelling atmosphere is underscored by Puccini’s extraordinary music, full of contradictions, twists and turns that perfectly render the broad array of emotions unfolding on stage: piano and forte, bel canto and scream, whispering and dramatic solo parts, love and death. The contrasts are a proof of the composer’s ability to express both violence and delicacy. The opera also amazes with arresting arias sung by the leads: Floria Tosca’s ‘Vissi d’arte’ and Mario Cavaradossi’s ‘E lucevan le stelle’.

The atmosphere surrounding the premiere of Puccini’s work was tense owing to the developments across Europe and in Rome itself. The cast had received threats in their post and a rumour was going around that someone had planted a bomb at the theatre. The auditorium was in turmoil and panic. The performance was stopped and started anew. Despite the incidents, Tosca proved a success. The audience demanded encores. Today, the piece is among the most frequently staged operas internationally, along with Carmen, The Magic Flute, La bohème, Eugene Onegin, and La traviata. This true masterpiece of the late romantic period returned on the stage of the Polish National Opera in 2019.

English

Tosca by Puccini, sab 15 jan 2022, De (2022/2022), Dirigido por Barbara Wysocka,, Regente Patrick Fournillier, Teatr Wielki - Opera Narodowa, Varsóvia, Polônia

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