Name: Sigismondo
Start: 2018-10-14T00:00:00.000Z
End: 2018-10-14T00:00:00.000Z
Location: Prinzregententheater

Organization

Conductor

Keri-Lynn Wilson

Contralto

Marianna Pizzolato

Sigismondo

Soprano

Hera Hyesang Park

Aldimira

Rachel Kelly

Anagilda

Tenor

Kenneth Tarver

Ladislao

Gavan Ring

Radoski

Bass

Guido Loconsolo

Zenovito

Il Hong

Ulderico

Others

Chor des Bayerischen Rundfunks

Münchner Rundfunkorchester

Munich

Germany

Prinzregententheater

Sigismondo Rossini

Public

Private

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bass-baritone

Baritone

Mezzo-soprano

Countertenor

Spoken

Child vocalist

Silent

Alto

Continuo

Extreme emotional worlds that can hardly be put into words become pure music in Italian bel canto. This is also the case in Rossini's opera Sigismondo (1814) − a forgotten coloratura gem that needs to be rediscovered. Intrigue and madness, idyll and tumult of battle determine the plot. In the end, King Sigismondo is reconciled with his wife, who was wrongly suspected of being unfaithful and believed dead. How he – plagued by pangs of conscience – slides back and forth between delusion and reality is something Rossini impressively put into music. A work that is not only musically but also psychologically interesting, with which the Munich Radio Orchestra commemorates the 150th anniversary of the composer's death!

English

Extreme Gefühlswelten, die kaum in Worte zu fassen sind, werden im italienischen Belcanto zu purer Musik. So auch in Rossinis Oper Sigismondo (1814) − einem vergessenen Koloraturen-Juwel, das es wiederzuentdecken gilt. Intrige und Wahnsinn, Idylle und Schlachtengetümmel bestimmen die Handlung. Am Ende versöhnt sich König Sigismondo mit seiner fälschlich der Untreue verdächtigten, tot geglaubten Frau. Wie er – geplagt von Gewissensqualen – zwischen Wahn und Realität hin- und hergleitet, das hat Rossini eindrucksvoll in Noten gesetzt. Ein nicht nur musikalisch, sondern auch psychologisch interessantes Werk, mit dem das Münchner Rundfunkorchester an den 150. Todestag des Komponisten erinnert!

Deutsch

Sigismondo by Rossini, sek 14 spa 2018, Nuo (2018/2018), Dirigentas Keri-Lynn Wilson, Prinzregententheater, Munich, Germany

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