Name: Sigismondo
Start: 2018-10-14T00:00:00.000Z
End: 2018-10-14T00:00:00.000Z
Location: Prinzregententheater

Organization

Conductor

Keri-Lynn Wilson

Singer

Contralto

Marianna Pizzolato

Sigismondo

Soprano

Hera Hyesang Park

Aldimira

Rachel Kelly

Anagilda

Tenor

Kenneth Tarver

Ladislao

Gavan Ring

Radoski

Bass

Guido Loconsolo

Zenovito

Il Hong

Ulderico

Others

Chor des Bayerischen Rundfunks

Münchner Rundfunkorchester

Munich

Germany

Prinzregententheater

Sigismondo Rossini

Public

Private

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Countertenor

Baritone

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Extreme emotional worlds that can hardly be put into words become pure music in Italian bel canto. This is also the case in Rossini's opera Sigismondo (1814) − a forgotten coloratura gem that needs to be rediscovered. Intrigue and madness, idyll and tumult of battle determine the plot. In the end, King Sigismondo is reconciled with his wife, who was wrongly suspected of being unfaithful and believed dead. How he – plagued by pangs of conscience – slides back and forth between delusion and reality is something Rossini impressively put into music. A work that is not only musically but also psychologically interesting, with which the Munich Radio Orchestra commemorates the 150th anniversary of the composer's death!

English

Extreme Gefühlswelten, die kaum in Worte zu fassen sind, werden im italienischen Belcanto zu purer Musik. So auch in Rossinis Oper Sigismondo (1814) − einem vergessenen Koloraturen-Juwel, das es wiederzuentdecken gilt. Intrige und Wahnsinn, Idylle und Schlachtengetümmel bestimmen die Handlung. Am Ende versöhnt sich König Sigismondo mit seiner fälschlich der Untreue verdächtigten, tot geglaubten Frau. Wie er – geplagt von Gewissensqualen – zwischen Wahn und Realität hin- und hergleitet, das hat Rossini eindrucksvoll in Noten gesetzt. Ein nicht nur musikalisch, sondern auch psychologisch interessantes Werk, mit dem das Münchner Rundfunkorchester an den 150. Todestag des Komponisten erinnert!

Deutsch

Sigismondo by Rossini, su 14 loka 2018, Alkaen (2018/2018), Musiikinjohto Keri-Lynn Wilson, Prinzregententheater, Munich, Germany

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