Name: Salome
Start: 2022-06-24T00:00:00.000Z
End: 2022-06-26T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Soprano

Lise Lindstrom

Salome

Baritone

Tomasz Konieczny

Jochanaan

Tenor

Frank van Aken

Herodes

Mezzo-soprano

Violeta Urmana

Herodias

Alejandro del Cerro

Narraboth

Josep Fadó

1. Jude

Dirigent

David Afkham

Bass

David Cervera

5. Jude

1. Nazarener

David Sánchez

2. Soldat

Pedro Llarena

Ein Kappadozier

Francesca Calero

Ein Sklave

Lydia Vinyes-curtis

Ein Page der Herodias

Pablo Garcia Lopez

2. Jude

Vicenç Esteve

3. Jude

Angel Rodriguez Rivero

4. Jude

COMPETITOR AND COACH

Alexandra Goloubitskaia

Orchestra

National Orchestra of Spain

Auditorio Nacional de Música

Madrid

Spanien

Auditorio Nacional de Musica

Salome Strauss,R

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Regissör

Librettist

Scenograf

Kostym designer

Koreograf

Ljus designer

Dansare

Skådespelare

Körledare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

contralto

Singer

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Richard Strauss was not the first composer to culminate an opera with the amorous ecstasy of a soprano next to the corpse of her lover – Wagner was four decades ahead of him in Tristan and Iseult – but if we had to brand one of these two as a necrophiliac, finalist titles in this peculiar tournament, would be that of Salomé (1905). The scandalous libretto –based on Oscar Wilde, but full of the «transvaluation» spirit that the young Strauss celebrated with such relish in Nietzsche's work– constitutes only the starting point of a wild and refined musical proposal in equal parts, which renews the Wagnerian heritage at the stroke of sensationalism learned from the Italian giovane scuola (verismo) and thus converts Salome and John the Baptist into the perverse and gloomy counterparts of Isolde and Parsifal, respectively. The subsequent leap to atonality by Schönberg and his disciples and the irruption of Stravinsky's The Rite of Spring in Paris repositioned  the cards on the Central European musical board in less than ten years. But during at least this period, Salome had the honor of being the most avant-garde and audacious work ever heard, before becoming that brutal musical experience that we will never tire of repeating

English

Salome by Strauss, fre 24 jun 2022, Från (2022/2022), Dirigent David Afkham, Auditorio Nacional de Musica, Madrid, Spanien

Föreställningskrediter (Medverkande & produktionsteam )

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Besättning

Ensemble

Program, Om & Synopsis

Foton

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Föreställningsdatum och lokaler

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