Name: Ruslan i Lyudmila
Start: 2022-04-13T00:00:00.000Z
End: 2022-06-22T00:00:00.000Z
Location: Buryat Academic Opera and Ballet Theatre

Organization

Stage director

Dina Orlova

Singer

Bass

Eduard Zhagbaev

Ruslan

Soprano

Batchimeg Sambuu

Gorislava

Tenor

Davit Vardanov

Bayan

Conductor

Vladimir Rylov

Dina Sandanova

Lyudmila

Contralto

Olga Zhigmitova

Ratmir

Mezzo-soprano

Oksana Hingeeva

Naina

Evgeny Ostrovsky

Svetozar

Buryat Academic Opera and Ballet Theater

Ruslan i Lyudmila -  (Ruslan and Lyudmila)

Irkutsk

Russia

Ulan-Ude

Buryat Academic Opera and Ballet Theatre

Ruslan i Lyudmila Glinka

Public

Ruslan and Lyudmila

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Selected fragments from the opera by M.I. Glinka will be performed by soloists of the opera, choir and symphony orchestra. The artistic director of the Buryat State Academic Opera and Ballet Theater maestro Vladimir Alekseevich Rylov will read poems from A.S. Pushkin. We will hear a large-scale introduction, the gentle cavatina of Lyudmila, the bright, comic duet of Naina and Farlaf and the brilliant rondo of Farlaf, the philosophical aria of Ruslan, the famous March of Chernomor, the aria of the yearning Gorislava, the extraordinary aria of Ratmir, praising the “wonderful dream of living love”, and the grandiose final scene. The scenery, which uses illustrations for various Pushkin stories, will create a fabulous atmosphere and lead the audience into the world of Ancient Russia.

Ruslan and Lyudmila is an epic opera in five acts to a libretto by the composer V. Shirokov (with the participation of K. Bakhturin, N. Kukolnik, N. Markevich, A. Shakhovsky and M. Gedeonov). The text of the libretto included some fragments of the poem, but in general it was written anew. M.I. Glinka worked on the creation of the opera for five years. The work was completed in 1842. The premiere of "Ruslan and Lyudmila" took place on December 9 of the same year at the Bolshoi Theater in St. Petersburg and was not a resounding success, but success increased from performance to performance. Musicologist Yury Zlatkovsky called the opera a "musical monument to Pushkin".

“Wherever I work, I try to introduce Glinka’s music everywhere,” explains the inclusion of the pages of the opera “Ruslan and Lyudmila” in the repertoire of the BGATOiB Vladimir Alekseevich Rylov, laureate of the Glinka State Prize of the RSFSR (1984). — For me it is fundamental. This is my idol, my god. This is a miracle that never ceases to amaze me. His music, his life, his personality. And I want to have as many like-minded people and fellow believers as possible in this belief in Glinka of mine.

The choice of fragments for concert performance is not accidental. “Ruslan’s aria is very close to me personally,” admits V.A. Rylov. - So, the hero addresses Perun with the words: “Give me, Perun, a damask sword in my hand!”. You see, so that he can perform these feats. I had very decent theaters, both this one and others, but I still didn’t have a sword in my hand, unfortunately. I tell you frankly. Therefore, for me, this aria is my next confession. I have already said that we have to confess publicly. And it is very important for me that this text be heard from the stage.”

“In his notes M.I. Glinka tells how once, being already famous, he came to observe the preparations for the production of the opera Ruslan and Lyudmila, continues Vladimir Alekseevich. - Having discovered that the performer of Finn's part did not appear at the rehearsal, the composer decided to replace him. And this is what he writes: “I went on stage. This huge space of the auditorium stunned me, I got confused, did not hear the orchestra, lost the rhythm, mixed up and went backstage. You know, when I read this, I reconsidered my attitude towards the singers, whom I treated very harshly (for which I blame myself) in my younger years: “How come you don’t join?! Don't you hear?!…” But really: you can't always hear the orchestra from the stage. The work of the singer is a colossal effort, many hours of rehearsals, endless practice in preparing each episode. So now in our conditions, it is not only premature to talk about staging Ruslan and Lyudmila, but even impossible, because the theater has many other obligations. But still, to launch this enzyme, this miraculous vitamin of Glinka's music, which will give life, movement, perspective to singers, orchestra, choir - I consider it necessary.

English

Ruslan and Lyudmila by Glinka, on. 13 april 2022, Fra (2022/2022), I regi av Dina Orlova,, Dirigent Vladimir Rylov, Buryat Academic Opera and Ballet Theatre, Ulan-Ude, Russia

Forestillingkreditter (Ensemble & produksjonsteam )

Cast

Program, Informasjon & Sammendrag

Bilder

Videre lesning

Forestillingsdatoer og spillesteder

Sted