Name: Rigoletto
Start: 2021-09-12T00:00:00.000Z
End: 2021-11-01T00:00:00.000Z
Location: Aalto Theatre

Organization

Soprano

Gloria Rehm

Gilda

Baritone

Olafur Sigurdarson

Rigoletto

Tenor

Carlos Cardoso

The Duke of Mantua

Contralto

Anna-Katharina Tonauer

Maddalena

Boshana Milkov

Ivan Krutikov

Tamara Banjesevic

Bass

Karl-Heinz Lehner

Sparafucile

Bettina Ranch

Mezzo-soprano

Marie-Helen Joël

Giovanna

Baurzhan Anderzhanov

The Count of Monterone

Daegyun Jeong

Marullo

Rainer Maria Röhr

Matteo Borsa

Mateusz Kabala

The Count of Ceprano

Iva Seidl

The Countess of Ceprano

A page

Stage director

Frank Hilbrich

Conductor

Tianyi Lu

Lighting designer

Manfred Kirst

Costume designer

Gabriele Rupprecht

Set designer

Volker Thiele

Dramaturge

Markus Tatzig

Aalto-Musiktheater Essen

italština

Essen

Germany

Aalto Theatre

Rigoletto Verdi

Public

němčina

Approved

There was long applause and many "Bravo!" Shouts at yesterday's semi-concert resumption of Verdi's "Rigoletto" 👏🎊
The atmosphere in the sold-out auditorium was fantastic, despite half the capacity 🤩So it can go on! #Best audience
The next "Rigoletto" dates:
RIGOLETTO
📅26th September; 10., 20. October; November 1st
🎟️ https://www.theater-essen.de/.../rigoletto_wiederaufnahme/

There was long applause and many "Bravo!" Shouts at yesterday's semi-concert resumption of Verdi's "Rigoletto" 👏🎊 In the sold-out auditorium there was a fantastic atmosphere despite half the capacity 🤩 It can go on like this! #Best audience The next "Rigoletto" dates: RIGOLETTO 📅 September 26th; October 10-20; November 1st 🎟️ https://www.theater-essen.de/spielplan/az/rigoletto_ Wiederaufnahme/

"The king is having fun" is the title of the template for Verdi's "Rigoletto", the first part of his "trilogia popolare". In the opera, however, it is no longer a king, but two men enjoying themselves at the expense of others: the Duke of Mantua and his court jester Rigoletto. While the duke, contrary to moral principles, lets his women's wear overflow, Rigoletto makes fun of the men of the chosen ones. At home he mimics the loving father who almost completely denies his daughter Gilda the outside world – she doesn't even know his name. It comes as it must: Gilda and the duke fall in love, Rigoletto's double existence is disrupted. Swearing revenge, he sets in motion a tremendous drama that ultimately becomes his own undoing.

Although the premiere was preceded by a long struggle with censorship, Verdi had his finger on the pulse of the times. The thematic complexes are (still today) extremely topical: a marginal figure wants to belong, but is merely tolerated. Feelings and relationships are numbed or reified in favor of one's ego - it's about power and personal responsibility. Social systems are questioned, the game of self-perception and the perception of others is fanned out again and again. As a result, a grotesque contrast arises between real versus unreal, private versus public, man versus woman, life versus death and laughing versus crying. Beneath the squeaky surface simmers a bitter seriousness, always propelled by the archaic core: a self-fulfilling prophecy. Shortly before his death, Verdi is said to have said:

English

Rigoletto by Verdi, po 01 lis 2021, Od (2021/2021), Režie Frank Hilbrich,, Dirigent Tianyi Lu, Aalto Theatre, Essen, Germany

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