Name: Réquiem. W. A. Mozart
Start: 2024-03-12T00:00:00.000Z
End: 2024-03-12T00:00:00.000Z
Location: Teatro de la Maestranza

Organization

Festival de Música Antigua de Sevilla

Conductor

Teodor Currentzis

Teatro Maestranza

Others

musicAeterna Choir

Orchestra

musicAeterna Orchestra

Instrumentalist

Olga Pashchenko

Piano

Singer

Soprano

Elizaveta Sveshnikova

Tenor

Egor Semenkov

Bass

Alexey Tikhomirov

Countertenor

Andrey Nemzer

Réquiem. W. A. Mozart

Seville

Spain

Teatro de la Maestranza

Sala Principal

Réquiem. W. A. Mozart: Requiem, K. 626 Mozart (+1 More)

Public

Private

Concert

Oratorio / Orchestral

Requiem

Piano Concerto No. 24 KV 491

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Baritone

Contralto

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

#Réquiem #Mozart #musicAeterna12 de marzo | 20h.Teatro de la MaestranzaEntradas en www.teatrodelamaestranza.esConsiderado una especie de “gurú” líder de una ...

Un genio iconoclasta para Mozart

Considerado una especie de “gurú” líder de una comuna de músicos que le siguen como iniciados en su visión radical de la música, el director grecoruso Teodor Currentzis (Atenas, 1972) es uno de esos excepcionales casos de músico visionario que suelen dividir a la afición entre sus enfebrecidos partidarios y sus detractores furibundos.

Sea como sea, Currentzis, que imprime a sus músicos una sobrehumana exigencia técnica y los conduce por una obsesiva reconsideración en la búsqueda interpretativa de las obras, se ha convertido en un auténtico faro musical que, desde la heterodoxia, la gestualidad teatralmente sobrecargada y sus novedosas versiones del repertorio llenas de vitalidad, pasión, carácter y entrega artística, lo han situado ya como un icono carismático de la dirección de orquesta internacional donde brilla con una identidad única, excepcional. Aunque algunos críticos tilden sus lecturas de caprichosas y discutibles.

musicAeterna Orchestra, formación de instrumentos antiguos diseñada a su imagen y semejanza capaz de viajar de Rameau a Mahler, fue fundada por él en la ciudad rusa de Novosibirsk pero, en 2011, cuando Currentzis asumió la dirección del Teatro y Ballet de Perm, en los Urales, la orquesta le siguió hasta integrarse en la compañía. La respuesta técnica de la orquesta -en la que tocan varios músicos españoles- es fastuosa y ha sido reconocida con múltiples premios.

El Réquiem de W. A. Mozart, que Currentzis grabó para el sello Alpha en 2011 en una lectura bellísima y novedosamente insólita acompañado por su habitual New Siberian Singers, un coro excepcionalmente sutil, es otra de esas piezas que, conmovedoramente, atraviesan la Historia de la Música desde que Mozart la dejara inconclusa -fue completada, siguiendo sus indicaciones, por Süssmayr- a su muerte en 1791.

En uno de los conciertos más atractivos de la temporada, una obra imperecedera, el Réquiem de Mozart, vista y oída a la nueva luz de un genio iconoclasta. No se lo pierdan.

español

An iconoclastic genius for Mozart

Considered a kind of "guru" leader of a commune of musicians who follow him as initiates in his radical vision of music, the Greek-Russian conductor Teodor Currentzis (Athens, 1972) is one of those exceptional cases of a visionary musician who tends to divide the fans among his feverish supporters and his furious detractors.

Be that as it may, Currentzis, who places superhuman technical demands on his musicians and leads them through an obsessive reconsideration in the interpretive search for works, has become a true musical beacon that, from heterodoxy, theatrically overloaded gestures and its New versions of the repertoire full of vitality, passion, character and artistic dedication have already positioned him as a charismatic icon of international conducting where he shines with a unique, exceptional identity. Although some critics label his readings capricious and debatable.

musicAeterna Orchestra, a group of ancient instruments designed in his image and likeness capable of traveling from Rameau to Mahler, was founded by him in the Russian city of Novosibirsk but, in 2011, when Currentzis took over as director of the Perm Theater and Ballet, in the Urales, the orchestra followed him until joining the company. The technical response of the orchestra -in which several Spanish musicians play- is lavish and has been recognized with multiple awards.

WA Mozart's Requiem , which Currentzis recorded for the Alpha label in 2011 in a beautifully new and unusual reading accompanied by his usual New Siberian Singers, an exceptionally subtle choir, is another of those pieces that move movingly through Music History. since Mozart left it unfinished -it was completed, following his instructions, by Süssmayr- to his death in 1791.

In one of the most attractive concerts of the season, an enduring work, Mozart's Requiem , seen and heard in the new light of an iconoclastic genius. Do not miss it.

English

Réquiem. W. A. Mozart by Mozart, tirs. 12 mar. 2024, Fra (2024/2024), Dirigent Teodor Currentzis, Teatro de la Maestranza, Seville, Spain

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