Name: Répliques
Start: 2024-06-07T00:00:00.000Z
End: 2024-06-07T00:00:00.000Z
Location: Cité de la musique

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ManiFeste

Cité de la Musique-Philharmonie

IRCAM-Centre Pompidou

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Lin Liao

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Ensemble intercontemporain; Orchestre du Conservatoire de Paris

Répliques

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Cité de la musique

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Parfum D’un Autre Monde

Trois manifestes

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Teja Boyidi

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Trois Manifestes (2009) will remain the masterpiece of Colombian composer Luis-Fernando Rizo-Salom, who passed away in an accident in 2013. It features the explosion of three "sonic manifestos", three spatialized instrumental groups—nuanced and cemented by electronics distributed throughout the hall. This triple explosion is echoed by two other manifestos. Mayu Hirano, a Japanese composer who studied in Tokyo and Paris, imagines Parfum d'un Autre Monde. Inspired by Noh theater, her creation uses electronics that analyze, segment, blur, merge, superimpose, immerse, dissect, and transplant the viola. Italy's Aureliano Cattaneo takes on a character from Dostoyevsky, a schizophrenic civil servant grappling with his double. Here, the double bass splits into two in the hall: through the transducers, the instrument is literally "possessed" by the ensemble.

Odile Auboin viola
Nicolas Crosse double bass
Ensemble intercontemporain
Lin Liao conductor
Pierre Carré, João Svidzinski IRCAM electronics
Sylvain Cadars IRCAM sound diffusion

English

Trois Manifestes (2009) restera le chef d’œuvre du Colombien Luis-Fernando Rizo-Salom, disparu accidentellement en 2013. Il met en scène le fracas de trois « manifestes sonores », trois groupes instrumentaux spatialisés – nuancés et cimentés par une électronique distribuée dans toute la salle. À cette triple déflagration répliquent deux autres manifestes. Mayu Hirano, compositrice japonaise ayant étudié à Tokyo puis Paris, imagine le Parfum d’un Autre Monde. Inspirée par le théâtre nô, sa création utilise une électronique qui analyse, segmente, brouille, fusionne, superpose, immerge, dissèque et transplante l’alto. L’Italien Aureliano Cattaneo s’empare d’un personnage de Dostoïevski, un fonctionnaire schizophrène aux prises avec son double. Ici la contrebasse se dédouble dans la salle : l’instrument par le biais des transducteurs est littéralement « possédé » par l’incorporation de l’ensemble. 

Odile Auboin alto
Nicolas Crosse contrebasse
Ensemble intercontemporain
Lin Liao direction
Pierre Carré, João Svidzinski électronique Ircam
Sylvain Cadars diffusion sonore Ircam

français

Répliques by Mayu Hirano, Rizo-Salom, Cattaneo, A., fr. 07 juni 2024, Fra (2024/2024), Dirigent Lin Liao, Cité de la musique, Paris, France

Forestillingkreditter (Ensemble & produksjonsteam )

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