Name: Pagliacci
Start: 2019-12-15T00:00:00.000Z
End: 2019-12-22T00:00:00.000Z
Location: Teatro Comunale di Bologna

Organization

Singer

Soprano

Carmela Remigio

Nedda

Carmen Solís

Tenor

Stefano La Colla

Canio

Angelo Villari

Baritone

Dalibor Jenis

Tonio

Stefano Meo

Paolo Antognetti

Peppe

Marco Puggioni

Vittorio Prato

Silvio

Conductor

Frédéric Chaslin

Stage director

Serena Sinigaglia

Set designer

Maria Spazzi

Costume designer

Carla Teti

Lighting designer

Claudio De Pace

Chorus master

Alberto Malazzi

MASTER CVB

Alhambra Superchi

Teatro Comunale di Bologna

Pagliacci

Bologna

Italy

Sala Bibiena

Pagliacci Leoncavallo

Public

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Mezzo-soprano

Countertenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Ruggero Leoncavallo (Naples, April 23, 1857 - Montecatini Terme, August 9, 1919) was an Italian composer, author of operas and operettas.

Ruggero Leoncavallo was one of the most important exponents of verist melodrama: he had, especially in the Pagliacci , a strong dramatic sense and generous melodic inspiration, of immediate effectiveness; however, despite having a more solid cultural basis than other realists (he had a degree in literature, which allowed him to write the librettos of some of his works himself), he remained confined to the problem of the Italian "young school", amidst the influences of Bizet, Verdi's and distant echoes of Wagner. He tried to free himself from realism, for example in Bohème (1897), with a comic-sentimental vein, in Zingari (1912), with an exotic taste, in Goffredo Mameli (1916) and in Oedipus re(1920), but was no longer able to find that conciseness, that expressive vigor and that impetuous and incisive melodic vein that characterize his masterpiece, Pagliacci , quintessence of musical realism (the famous Prologue is an example )

English

Pagliacci by Leoncavallo, pá 20 pro 2019, Od (2019/2019), Režie Serena Sinigaglia,, Dirigent Frédéric Chaslin, Teatro Comunale di Bologna, Bologna, Italy

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény