Name: Otello
Start: 2019-12-09T00:00:00.000Z
End: 2019-12-22T00:00:00.000Z
Location: Royal Opera House

Organization

Cantante

Tenore

Gregory Kunde

Otello

Soprano

Ermonela Jaho

Desdemona

Baritono

Carlos Álvarez

Jago

Freddie De Tommaso

Cassio

Andrés Presno

Roderigo

Mezzosoprano

Catherine Carby

Emilia

Basso

Michael Mofidian

Montano

David Soar

Lodovico

Direzione d'orchestra

Antonio Pappano

Regia

Keith Warner

Scenografia

Boris Kudlička

Costumi

Kaspar Glarner

Luci

Bruno Poet

Coreografia

Michael Barry

Royal Opera House

italiano

Londra

Regno Unito

Public

inglese

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballerino/a

Chorus Director

Composizione

Coro

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Fotografia

Illustrator

Insegnante

Libretto

Maestro accompagnatore

Orchestra

Orchestra Operations

Parrucco

Poeta

Produzione esecutiva

Recitazione

Scrittura

Scrittura ed esecuzione

Sound designer

Stage Manager

Traduzione

Trucco

Video

Wig & Makeup Designer

Basso-baritono

Contralto

Controtenore

Alto

Continuo

Mimi

Narrazione

Voce bianca

Otello Verdi

Verdi’s Shakespeare-inspired opera Otello plays out the fatal consequences of romantic jealousy. Jonas Kaufmann, Marco Vratogna, Thomas Atkins and the Royal Opera Chorus perform 'Dio fulgor...Esultate!'. To book tickets and find out more, head to https://www.roh.org.uk/tickets-and-ev...
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Light and dark, good and evil: Keith Warner’s production focuses on the violent conflicts at the core of Otello’s story. Boris Kudlicka’s semi-abstract sets and Kaspar Glarner’s costumes mirror the contrasting innocence of Desdemona and malevolence of Iago. Warner sensitively examines the relationships between Moors, Turks and Westerners in Shakespeare’s time to highlight Otello feeling an outsider in his society, which contributes to his loss of confidence and gradual mental collapse.

Otello was Verdi’s penultimate opera. Although he had claimed to have retired after Aida in 1871, he couldn’t resist the opportunity to set a text by his favourite poet, Shakespeare. His publisher, Giulio Ricordi, suggested he use the writer and composer Arrigo Boito as his librettist. Verdi was delighted by Boito’s subtle and sensitive text, which drew from him some wonderful and varied music. Highlights include Otello and Desdemona’s beautiful Act I love duet, Iago’s nihilistic Act II ‘Credo’, the grandeur of the final scenes of Act III and the terrible intimacy of Act IV from Desdemona’s forebodings to Otello’s crime of passion. Otello had a triumphant premiere in 1887 at La Scala, Milan, and Verdi and Boito went on to collaborate on Verdi’s final operatic masterpiece, Falstaff.

Otello by Verdi, dom 22 dic 2019, Da (2019/2019), Diretto da Keith Warner,, Direttore d'orchestra Antonio Pappano, Royal Opera House, Londra, Regno Unito

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Team creativo

Programma, informazioni e sinossi

Recensioni

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