Name: Orlando paladino
Start: 2023-11-01T00:00:00.000Z
End: 2023-11-01T00:00:00.000Z
Location: Teatro Real

Organization

Conductor

Giovanni Antonini

Soprano

Emőke Baráth

Angelica

Bass

Renato Dolcini

Rodomonte

Tenor

Alasdair Kent

Orlando

Josh Lovell

Medoro

Krystian Adam

Licone

Pasquale

Nuria Rial

Alcina

Caronte

Teatro Real de Madrid

Il Giardino Armonico

Others

Natalia Rubis

Eurilla

Orlando paladino -  (Orlando the Paladin)

Madrid

Spain

Teatro Real

Sala Principal

Orlando Paladino

Public

Private

Orlando the Paladin

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Contralto

Countertenor

Mezzo-soprano

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Después de casi quince años vuelve al Teatro Real una ópera de Haydn. Irreverente y gamberra, esta versión concierto del gran clasicismo llega junto al reconocido conjunto instrumental Il Giardino Armonico, dirigido por Giovanni Antonini.  

El Siglo de las Luces nos es conocido por el encumbramiento de la razón, la exaltación de la virtud, la moderación y, en definitiva, todos aquellos atributos que consideramos contrarios a la naturaleza fantasiosa, apasionada o imprevisible que presuponemos a un buen espectáculo. El Orlando paladino de Haydn nos muestra una vertiente totalmente distinta de la racionalidad dieciochesca: aquella que consiste en parodiar —por reducción ad absurdum— los excesos de la era barroca, tomando en este caso el ya conocido —y desaforado— episodio de celos del célebre paladín cristiano.

Así —y por si éramos pocos—, este Orlando paladino contará en esta ocasión con un tercer pretendiente de Angelica, Rodomonte, rey de Barbaria; un criado siempre dispuesto a quejarse por los excesos de su patrón, Pasquale, y una inocente pareja de pastorcillos. Irreverente y gamberra, la ópera más interpretada en vida del compositor es también una premonición del planteamiento cómico-serio y de algunos de los personajes más emblemáticos de las óperas mozartianas, en particular del Don Giovanni.

Libreto de Nunziato Porta, basado en Orlando furioso de Ludovico Ariosto

Estrenada en Eszterháza el 6 de diciembre de 1782

español

After almost fifteen years, an opera by Haydn returns to the Teatro Real. Irreverent and hooligan, this concert version of the great classicism comes with the renowned instrumental ensemble Il Giardino Armonico, conducted by Giovanni Antonini.

The Age of Enlightenment is known to us for its elevation of reason, exaltation of virtue, moderation, and, in effect, all those attributes we consider to be the opposite of a passionate, unpredictable, creative nature which we presuppose in a good show. Orlando paladino by Haydn presents a totally different aspect of the rational 18th century:  that which sought to parody —reductio ad absurdum— the excesses of the Baroque era. In this case we refer to the well-known and frenzied episode of jealousy of the famous Christian paladin.   

Here, in this Paladin Orlando there is a third competitor for Angelica:  Rodomonte, King of Barbaria; Pasquale, a servant who continually complains about his master’s excesses; and an innocent couple of shepherds. Irreverent and libertine, the opera most performed during the composer’s lifetime, it is also a premonition of the comico-serio approach, and of some of the most emblematic characters in the operas of Mozart, particularly, don Giovanni.

English

Orlando the Paladin by Haydn, mið 01 nóv 2023, Frá (2023/2023), Hljómsveitarstjóri Giovanni Antonini, Teatro Real, Madrid, Spain

Frammistaða áskriftir (Leikarar & starfslið )

Leikarar

Hljómsveit

Meðframleiðandi

Dagskrá, Um & Yfirlit

Ljósmyndir

Frekari lestur

Sýningardagsetningar og sýningarstaðir

Staðir