Name: Orfeo ed Euridice
Start: 2023-05-27T00:00:00.000Z
End: 2023-05-27T00:00:00.000Z
Location: Großes Festspielhaus

Organization

Conductor

Kazuki Yamada

Stage director

John Neumeier

Set designer

Costume designer

Lighting designer

Choreographer

Chorus master

Benjamin Hartmann

Singer

Countertenor

Maxim Mironov

Orfeo

Soprano

Andriana Chuchman

Euridice

Lucía Martín-Cartón

Amor

Dancer

Edvin Revazov

Anna Laudere

Salzburger Festspiele

Staatsoper Hamburg

Others

Bach Choir Salzburg

Orchestra

Camerata Salzburg

LA Opera

Lyric Opera of Chicago

Ballet

Hamburg Ballet

Franċiż

Orfeo ed Euridice -  (Orpheus and Eurydice)

Salzburg

Austria

Whitsun Festival

Großes Festspielhaus

Public

Private

Orpheus and Eurydice

Ġermaniż

Ingliż

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Tenor

Baritone

Mezzo-soprano

Bass

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Christoph Willibald Gluck’s endeavours, undertaken jointly with the librettist Ranieri de’ Calzabigi, to free the predominant style of opera from musical excesses and complicated sub-plots, thus distilling its true essence, culminated in Orfeo ed Eurydice in 1762. Ever since, the work has since been regarded as the prototype of the ‘reform opera’, which focusses human emotions into one single plot-line. Twelve years after the premiere in Vienna Gluck produced a version in French entitled Orphée et Eurydice that was tailored to Parisian tastes, giving the castrato role of Orphée to a tenor and adding numerous ballet scenes.
This version provides the ideal basis for a dance opera, whose action John Neumeier has set in a modern ballet studio. He makes use of the overture to tell the backstory: an altercation arises during a rehearsal between the prima ballerina Eurydice and the choreographer Orphée. Furious, she leaves the studio and dies shortly afterwards in a car accident. Now the familiar narrative starts. However, it is not Orphée who doubts the happy outcome but Eurydice who sets things in train when she questions his love, making him turn round to her, and disappears. Devastated, Orphée strikes up the lament ‘J’ai perdu mon Eurydice’, but contrary to the myth Gluck bows to Parisian convention and has Amor intervene in the action, steering it towards a positive conclusion.

English

Orpheus and Eurydice by Gluck, Sib 27 Mej 2023, Minn (2023/2023), Immexxi minn John Neumeier,, Surmast Direttur Kazuki Yamada, Großes Festspielhaus, Salzburg, Austria

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