Name: NOSPR Childress
Start: 2024-04-21T00:00:00.000Z
End: 2024-04-21T00:00:00.000Z
Location: NOSPR

Organization

Conductor

Stephanie Childress

Instrumentalist

Krzysztof Książek

Piano

Orchestra

Polish National Radio Symphony Orchestra

NOSPR / Childress

Katowice

Poland

NOSPR

Concert Hall

NOSPR / Childress: Overture for orchestra, H. 345 Martinů (+2 More)

Public

Overture for orchestra, H. 345

Fantasy on Polish Airs, op. 13

Symphony No. 1 in G minor, Op. 7, FS 16

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Mezzo-soprano

Soprano

Contralto

Bass-baritone

Countertenor

Tenor

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

W różnorodności siła i inspiracja do poszukiwania nowych jakości. Na dobrą sprawę nic nie wiąże tych trzech utworów. Uwertura Bohuslava Martinů, skomponowana w 1953 roku w Stanach Zjednoczonych, może służyć za przykład pysznej neobarokowej estetyki, która przez pewien czas bardzo fascynowała czeskiego kompozytora. Ciekawe, że później z rozbrajającą szczerością przyznał, iż „nie przypomina sobie, aby była wykonywana”. Cóż, pamięć bywa zawodna. Sześć dekad starsza I Symfonia g-moll op. 7 Carla Nielsena stanowi zapowiedź jego późniejszych dzieł i oryginalnego stylu. Rówieśniczka Symfonii „Z Nowego Świata” Antonína Dvořáka i „Patetycznej” Piotra Czajkowskiego, a jednak zupełnie do nich niepodobna, zapatrzona w przyszłość. Połączy te skrajności Fantazja na tematy polskie op. 13 młodego Fryderyka Chopina – urocze potpourri z sentymentalną nutą, cytujące pieśń o Laurze i Filonie, rozpięte między zadumą i krotochwilą. Niedługo minie 200 lat od skomponowania Fantazji, a ona niezmiennie emanuje świeżością.

polski

Diversity can yield power and inspiration for seeking new qualities. The three pieces do not seem to be related in any manner whatsoever. Bohuslav Martinů’s Overture, composed in the United States in 1953, might serve as an example of the ornate neo-baroque aesthetic that would fascinate the Czech composer for a certain time. It is quite peculiar that later he admitted, with astonishing frankness, “not remembering the piece being performed.” Well, memory fails everyone sometimes. Six decades older, Carl Nielsen’s Symphony No. 1 in G minor constitutes an augury of his later works and original style. A peer to Antonín Dvořák’s “From the New World” and Pyotr Tchaikovsky’s “Pathétique” symphonies, yet not resembling them in the slightest, looking into the future. These extremes will be bridged with young Fryderyk Chopin’s Fantasy on Polish Airs op. 13 – a charming potpourri with a sentimental note, quoting the song of Laura and Filon, stretching from meditation to jocularity. Soon, 200 years will have passed since the Fantasy was composed, yet it still emanates freshness.

English

NOSPR / Childress by Martinů, Chopin, Nielsen, Dum 21 Apr. 2024, De la (2024/2024), Dirijor Stephanie Childress, NOSPR, Katowice, Poland

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