Name: Mass of Clovis & Requiem
Start: 2022-02-10T00:00:00.000Z
End: 2022-02-10T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Singer

Soprano

Regula Mühlemann

Baritone

Jean-Sébastien Bou

Conductor

Hervé Niquet

Le Concert Spirituel

Théâtre des Champs-Elysées

Others

Choeur du Concert Spirituel

Orchestra

Concert Spirituel

Palazzetto Bru Zane

Mass of Clovis & Requiem

Paris

France

Théâtre

Requiem & Mass of Clovis: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Tenor

Mezzo-soprano

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

"My requiem was composed for nothing...for pleasure, so to speak... ", it is in these terms that Gabriel Fauré evoked his Requiem,probably today one of his best known and most played scores. The idea of pleasure may seem incongruous in the context of a Mass of the dead, but the musician saw it as a deliverance, almost a moment of bliss, at least spiritually. And this is perhaps the secret of its success even today, in this warm and lush sound material that leads to the elevation of the spirit. Gounod composed throughout his career nearly twenty sacred pages, mostly in the form of a mass or oratorio. The so-called Clovis Mass is almost contemporary with Fauré's Requiem but in a completely different spirit. Here the musician reconnects with the neo-renaissance writing already present in older pieces. A "historicizing" style certainly but that Gounod practices with mastery.

English

« Mon requiem a été composé pour rien….pour le plaisir, si j’ose dire… », c’est en ces termes que Gabriel Fauré évoquait son Requiem, sans doute aujourd’hui l’une de ses partitions les plus connues et les plus jouées. L’idée de plaisir peut sembler incongrue dans le contexte d’une messe des morts mais le musicien envisageait celle-ci comme une délivrance, presque un moment de félicité, du moins spirituelle. Et c’est peut-être là qu’est le secret de son succès aujourd’hui encore, dans cette matière sonore chaude et luxuriante qui porte à l’élévation de l’esprit. Gounod a composé tout au long de sa carrière près d’une vingtaine de pages sacrées, pour la plupart sous forme de messe ou d’oratorio. Celle dite Messe de Clovis est quasi contemporaine du Requiem de Fauré mais dans un tout autre esprit. Ici le musicien renoue avec l’écriture néo-renaissance déjà présente dans des pièces plus anciennes. Un style « historicisant » certes mais que Gounod pratique avec maestria.

français

Mass of Clovis & Requiem by Various, čt 10 úno 2022, Od (2022/2022), Dirigent Hervé Niquet, Théâtre des Champs-Elysées, Paris, France

Výkonnostní kredity (Obsazení a tým )

Obsazení

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Koproducent

Program, Informace a Synopsis

Fotografie

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