Name: Manon Lescaut
Start: 2022-03-25T00:00:00.000Z
End: 2022-04-03T00:00:00.000Z
Location: Teatro Carlo Felice

Organization

Tenor

Giuseppe Infantino

Edmond

Lighting designer

Nicolas Bovey

Mezzo-soprano

Gaia Petrone

A singer

Francesco Pio Galasso

The knight René Des Grieux

Baritone

Massimo Cavalletti

Lescaut

Enrico Marabelli

Francesco Pittari

A lamplighter

The dance master

Conductor

Donato Renzetti

Stage director

Davide Livermore

Set designer

Giò Forma

Costume designer

Giusi Giustino

Video designer

D-Wok

Chorus master

Francesco Aliberti

Soprano

Maria José Siri

Manon Lescaut

Monica Zanettin

Riccardo Massi

Bass

Matteo Peirone

Geronte de Revoir

Claudio Ottino

An innkeeper

Didier Pieri

Sandra Pastrana

Matteo Armanino

Sergeant of the Archers

Loris Purpura

The naval captain

Alessandra di Giorgio

Silent

Simone Tudda

Un parrucchiere

Gran Teatre del Liceu

Palau de les Arts Reina Sofia

Teatro Carlo Felice

Teatro di San Carlo

Others

Chorus of Teatro Carlo Felice di Genova

Orchestra

Orchestra del Teatro Carlo Felice di Genova

Genoa

Italy

Manon Lescaut Puccini

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Contralto

Bass-baritone

Countertenor

Spoken

Child vocalist

Alto

Continuo

At the Teatro Regio in Turin, on February 1, 1893, eight days before  Falstaff 's debut  at La Scala, Puccini achieved his first success with  Manon Lescaut . The choice of the theme was a risk, given that the successful novel by Abbot Prévost had already been successfully transformed into an opera by Massenet nine years earlier. But the thirty-five-year-old Puccini was already a conscious composer and was not afraid of confrontation: "Massenet feels it as a Frenchman - he said about the subject -, with face powder and minuets, I feel it as an Italian, with desperate passion". And the facts proved him right. The year after  Manon it also triumphed at Covent Garden in London and, reviewing it, George Bernard Shaw wrote: "It seems to me that Puccini, more than any other of his rival, is Verdi's most likely heir." Prophetic judgment, because Puccini, from  Manon  onwards, will be precisely the most representative composer of Italian and European opera after Verdi. This  Manon , directed by Davide Livermore, will speak above all to today's audience, as if it were a film, pushing us to think and reflect on contemporaneity: here Manon in fact, is an outcast, a migrant who has not made it.

English

Al Teatro Regio di Torino, il 1 febbraio 1893, otto giorni prima del debutto di Falstaff alla Scala, Puccini raggiungeva il suo primo successo con Manon Lescaut. La scelta del tema era un rischio, dato che il fortunato romanzo dell’abate Prévost era già stato trasformato in opera da Massenet, con successo, nove anni prima. Ma il trentacinquenne Puccini era già un compositore consapevole e non temeva il confronto: «Massenet lo sente da francese – disse a proposito del soggetto –, con la cipria e i minuetti, io lo sento da italiano, con passione disperata». E i fatti gli diedero ragione. L’anno dopo Manon trionfò anche al Covent Garden di Londra e, recensendola, George Bernard Shaw scrisse: «Puccini mi sembra che, più di qualsiasi altro suo rivale, sia il più probabile erede di Verdi». Giudizio profetico, perché Puccini, da Manon in poi, sarà appunto il compositore più rappresentativo dell’opera italiana, ed europea, dopo Verdi. Questa Manon, per la regia di Davide Livermore, parlerà soprattutto al pubblico di oggi, come se fosse un film, spingendoci a pensare e a riflettere sulla contemporaneità: qui Manon infatti, è un’emarginata, una migrante che non ce l’ha fatta.

italiano

Manon Lescaut by Puccini, su 03 huhti 2022, Alkaen (2022/2022), Ohjannut Davide Livermore,, Musiikinjohto Donato Renzetti, Teatro Carlo Felice, Genoa, Italy

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