Name: Mahler Chamber Orchestra Daniel Harding
Start: 2022-06-01T00:00:00.000Z
End: 2022-06-01T00:00:00.000Z
Location: Palazzo Mauro De André

Organization

Ravenna Festival

Conductor

Daniel Harding

Singer

Soprano

Valentina Coladonato

Pianist

Maurizio Baglini

Narrator

Sandro Lombardi

Orchestra

Mahler Chamber Orchestra

Mahler Chamber Orchestra Daniel Harding

Ravenna

Italy

Palazzo Mauro De André

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Baritone

Bass-baritone

Contralto

Countertenor

Bass

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

A male reciting voice in stereo with a female lyric voice; a solo cello offering the incipits of all six Suites that Bach wrote for this instrument, the piano and the orchestra. In 2015, for the 40th anniversary of Pasolini's death, Azio Corghi imagined in this way the "impossible" encounter between Bach and one of the greatest Italian intellectuals, of which 2022 marks the centenary of his birth. This symphonic-poetic work, capable of evoking Pasolini's life and thought, takes its name from the brilliant definition that Pasolini was able to give of Bach, in the struggle "between Flesh and Heaven", between corporeality and the sublime, thus contributing to a new key of reading of the music of Kantor, here in dialogue with the "Egmont" Overture that Beethoven wrote inspired by Goethe's drama about the Belgian leader,

English

Una voce recitante maschile in stereofonia con una voce lirica femminile; un violoncello solista che offre gli incipit di tutte e sei le Suites che Bach scrisse per questo strumento, il pianoforte e l’orchestra. Nel 2015, per i 40 anni della morte di Pasolini, Azio Corghi immaginò in questo modo l’incontro “impossibile” tra Bach e uno dei più grandi intellettuali italiani, di cui il 2022 segna il centenario della nascita. Questo lavoro sinfonico-poetico, capace di rievocare vita e pensiero pasoliniano, prende il nome dalla geniale definizione che Pasolini seppe dare di Bach, in lotta “tra Carne e Cielo”, tra la corporeità e il sublime, contribuendo così a una nuova chiave di lettura della musica del Kantor, qui in dialogo con l’Ouverture “Egmont” che Beethoven scrisse ispirandosi al dramma di Goethe sul condottiero belga, e alla Settima Sinfonia di Dvorak, chiamata anche “Sinfonia del tempo torbido”, sottotitolo poetico adatto alla figura di Pasolini, pensatore puro prestato a tempi oscuri.

italiano

Mahler Chamber Orchestra Daniel Harding by Various, Wed 01 Jun 2022, From (2022/2022), Conductor Daniel Harding, Palazzo Mauro De André, Ravenna, Italy

Performance credits (Cast & Crew )

Cast

Crew

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues