Name: Madama Butterfly
Start: 2024-06-30T00:00:00.000Z
End: 2024-07-22T00:00:00.000Z
Location: Teatro Real

Organization

Conductor

Nicola Luisotti

Luis Miguel Méndez

Stage director

Damiano Michieletto

Costume designer

Carla Teti

Lighting designer

Marco Filibeck

Chorus master

José Luis Basso

Singer

Soprano

Saioa Hernández

Cio-Cio-San

Aleksandra Kurzak

Ailyn Pérez

Lianna Haroutounian

Tenor

Matthew Polenzani

B.F. Pinkerton

Charles Castronovo

Michael Fabiano

Leonardo Capalbo

Mezzo-soprano

Silvia Beltrami

Suzuki

Nino Surguladze

Gemma Coma-Alabert

Baritone

Lucas Meachem

Sharpless

Gerardo Bullón

Luis Cansino

Mikeldi Atxalandabaso

Goro

Moisés Marín

Bass

Fernando Radó

Uncle Bonze

Tomeu Bibiloni

Prince Yamadori

Toni Marsol

Marta Fontanals-Simmons

Kate Pinkerton

George Andguladze

Teatro Real de Madrid

Teatro Regio di Torino

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Set designer

Paolo Fantin

Assistant light designer

Jenny Cappelloni

Madama Butterfly -  (Madame Butterfly)

Madrid

Spain

Teatro Real

Sala Principal

Madama Butterfly Puccini

Public

Private

Madame Butterfly

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

La conmovedora historia de amor, pérdida, traición y sacrificio de una de las óperas favoritas del público continúa cautivando a la audiencia, aunque con una mirada actual puede verse como una historia muy cruda sobre la joven geisha. Damiano Michieletto traslada a Madama Butterfly a un barrio marginal de una ciudad oriental. Como Cio-Cio San, se alternarán las voces de Saioa Hernández, Aleksandra Kurzak o Michael Fabiano, bajo la batuta de Damiano Michieletto.  

El código civil japonés de 1898 –el Horei– establece el marco legal que rige las diversas facetas de la vida pública recogidas en el libreto de Madama Butterfly, y que incluyen el matrimonio, el repudio familiar, el divorcio o la adopción. El imperialismo, el mestizaje y la xenofobia constituyen también elementos de un engranaje narrativo que sortea los tópicos del orientalismo amable y condescendiente del siglo precedente e incardina la historia de Cio-Cio San en unas coordenadas realistas.

La tersura de la partitura pucciniana –entre cuyos pentagramas resuenan melodías auténticas japonesas como «Izuki Uta», «Echigo-Jishi», «Sakurá», «Miyasan, Miyasan» o el himno nacional japonés «Kimi ga yo»– suaviza las aristas del drama, pero sin menoscabo del fondo trágico –y sórdido– del que es probablemente su retrato femenino más conseguido y más profundo. En esta línea, Damiano Michieletto traslada la acción a un moderno barrio marginal de una gran ciudad oriental como denuncia de una realidad –el turismo sexual– que constituye la esencia misma de esta icónica ópera.

Producción del Teatro Regio Torino

En homenaje a Victoria de los Ángeles (1923-2005) en conmemoración del centenario de su nacimiento (1 de noviembre de 1923)

Equipo artístico

Dirección musical: Nicola Luisotti-30 jun; 1, 3, 4, 7, 8, 9, 10, 12, 14, 15, 16, 17, 19, 21, 22 jul

                                 Luis Miguel Méndez: 5, 11, 18 jul

Dirección de escena: Damiano Michieletto

Escenografía: Paolo Fantin

Vestuario: Carla Teti

Iluminación: Marco Filibeck

Dirección del coro: José Luis Basso

Reparto 

Cio-Cio-San: Saioa Hernández __ 30 jun; 4, 8, 12, 15, 19, 22 jul

                       Ailyn Pérez __ 1, 7, 10, 16, 21 jul

                       Lianna Haroutounian __3, 9, 14, 18 jul

                       Aleksandra Kurzak __ 5, 11, 17 jul

Suzuki: Silvia Beltrami __ 30 jun; 4, 8, 12, 15, 19, 22 jul

              Nino Surguladze __ 1, 7, 10, 16, 21 jul

             Gemma Coma-Alabert __ 3, 5, 9, 11, 14, 17, 18 jul

F.B. Pinkerton: Matthew Polenzani __ 30 jun; 4, 8, 12, 15, 19, 22 jul

                          Charles Castronovo __ 1, 7, 10, 16, 21 jul

                          Michael Fabiano __ 3, 9, 14, 18 jul

                          Leonardo Capalbo __ 5, 11, 17 jul

Sharpless: Lucas Meachem __ 30 jun; 4, 8, 12, 15, 19, 22 jul

                   Gerardo Bullón __ 1, 3, 7, 10, 14, 16, 18, 21 jul

                   Luis Cansino __ 5, 9, 11, 17 jul

Goro: Mikeldi Atxalandabaso __ 30 jun; 3, 4, 8, 9, 12, 14, 15, 18, 19, 22 jul

           Moisés Marín __ 1, 5, 7, 10, 11, 16, 17, 21 jul

El príncipe Yamadori: Tomeu Bibiloni __ 30 jun; 3, 4, 8, 9, 12, 14, 15, 18, 19, 22 jul

                                      Toni Marsol __ 1, 5, 7, 10, 11, 16, 17, 21 jul

El tío Bonzo: Fernando Radó __ 30 jun; 3, 4, 8, 9, 12, 14, 15, 18, 19, 22 jul

                      George Andguladze __ 1, 5, 7, 10, 11, 16, 17, 21 jul

Kate Pinkerton: Marta Fontanals-Simmons

español

The poignant story of love, loss, betrayal and sacrifice from one of the public's favourite operas continues to captivate audiences, although with a contemporary eye it can be seen as a very raw story about the young geisha. Damiano Michieletto moves Madama Butterfly to a slum in an oriental

The Japanese civil code of 1898 – the Horei– established a legal framework which governed diverse aspects of public life as part of the libretto of Madama Butterfly. These include marriage, family rejection, divorce, or adoption. Imperialism, mixed race, and xenophobia are also elements of a narrative harness which navigates the well-mannered and acquiescent Oriental clichés of the preceding century while integrating the story of Cio-Cio San in a few coordinates of realism.

The finesse of Puccini’s score   - in whose music authentic Japanese melodies resonate: «Izuki Uta», «Echigo-Jishi», «Sakurá», «Miyasan, Miyasan» or the Japanese national anthem «Kimi ga yo»– softens the edges of the drama without dismissing its tragic and sordid base, to construct what is probably the composer’s most well-done and profound feminine portrait. Along this line, Damiano Michieletto moves the action to a modern marginal neighbourhood of a big Asian city as a denunciation of a reality - sexual tourism - which lies at the heart of this iconic opera.

Production from Teatro Regio Torino

A tribute to Victoria de los Ángeles (1923-2005) in commemoration of the centenary of her birth (1 November 1923)

English

Madame Butterfly by Puccini, søn. 07 juli 2024, Fra (2024/2024), Instrueret af Damiano Michieletto,, Dirigent Nicola Luisotti, Luis Miguel Méndez, Teatro Real, Madrid, Spain

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold

Ensemble

Co-producer

Program, Information & Oversigt

Fotos

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder