Name: La Pasajera
Start: 2024-03-01T00:00:00.000Z
End: 2024-03-24T00:00:00.000Z
Location: Teatro Real

Organization

Bregenzer Festspiele

Conductor

Mirga Gražinytė-Tyla

Stage director

David Pountney

Set designer

Johan Engels

Costume designer

Marie-Jeanne Lecca

Lighting designer

Fabrice Kebour

Chorus master

José Luis Basso

Soprano

Amanda Majeski

Marta

Mezzo-soprano

Daveda Karanas

Liese

Tenor

Nikolai Schukoff

Walter

Baritone

Gyula Orendt

Tadeusz

Anna Gorbachyova

Katya

Lidia Vinyes Curtis

Krzystina

Marta Fontanals-Simmons

Vlasta

Contralto

Nadezhda Karyazina

Hannah

Olivia Doray

Yvette

Helen Field

Old Woman

Liuba Sokolova

Bronka

Bass

Hrólfur Saemundsson

1. SS Officer

Marcell Bakonyi

2. SS Officer

Albert Casals

3. SS Officer

Géraldine Dulex

Oberaufseherin

Spoken

Kapo

Teatro Real de Madrid

Teatr Wielki - Opera Narodowa

English National Opera

Others

Coro Intermezzo

Orchestra

Orquesta Sinfónica de Madrid

Graeme Danby

Elderly Passenger

1. Steward

tysk

La Pasajera

Madrid

Spain

Teatro Real

Sala Principal

La Pasajera: Die Passagierin

Public

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The Passenger

engelsk

spansk

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hornist

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Mandoline Player

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Continuo

La Pasajera: Die Passagierin Weinberg

Una ópera que conjuga dos acciones simultáneas en dos periodos de tiempo y contexto diferentes y que es un terremoto emocional. Un espectacular escenario que...

Una ópera que conjuga dos acciones simultáneas en dos periodos de tiempo y contexto diferentes y que es un terremoto emocional. Un espectacular escenario que mostrará la dualidad espacial de un campo de concentración y un crucero de vacaciones, dos situaciones antagónicas vividas por ambas protagonistas de esta emotiva ópera sobre el perdón.   

Arriba, la cubierta de un transatlántico rumbo a Brasil. Abajo, el espeluznante recuerdo de un campo de concentración. Entre ambos escenarios, dos mujeres que intentan escapar de su pasado en busca de un futuro mejor. Basada en un relato autobiográfico de Zofia Posmysz –periodista y novelista polaca superviviente de los campos de concentración de Auschwitz y Ravensbrück–, La pasajera representa un cataclismo emocional cuyo epicentro es la relación entre dos mujeres que pasaron por Auschwitz en posiciones distintas: una como carcelera y la otra –judía– como presidiaria.

El relato se difundió en Polonia en forma de radiodrama (La pasajera del camarote 45, 1957), novela (La pasajera, 1962) y un film homónimo (1963) antes de que Shostakóvich reconociera su idoneidad para una ópera. La recomendó a Weinberg, compositor polaco nacionalizado soviético que tuvo el dudoso honor de haber experimentado la furia del antisemitismo en sus variantes nazi y estalinista. Completada en 1968 y silenciada durante décadas por las autoridades rusas, esta impactante ópera llega al Real a lomos de una imparable ola de reconocimiento internacional.

En conmemoración del décimo aniversario de la muerte de Gerard Mortier (1943-2014)

español

An opera that combines two simultaneous actions in two different periods of time and context and is an emotional earthquake. A spectacular setting that will show the spatial duality of a concentration camp and a holiday cruise, two antagonistic situations experienced by both protagonists of this moving opera about forgiveness.

Above, the deck of a transatlantic en route to Brazil.  Below, the horrifying memory of a concentration camp. Between both these settings are two women, trying to escape their past in search of a better future. Based on the autobiographical work by Zofia Posmysz – Polish journalist and novelist, a survivor of Auschwitz and Ravensbrück–, Die Passagierin represents an emotional cataclysm whose epicentre is the relationship between two women who were in Auschwitz in two very different positions: one was a prison guard and the other, a Jewish prisoner.

The story spread across Poland as a radio drama (The Passenger from Cabin 45, 1957), a novel (The Passenger, 1962) and a homonymous film (1963) before Shostakovich recognised its suitability for an opera. He recommended it to the Polish-born Soviet composer Mieczylaw Weinberg, who bore the dubious honour of having suffered the fury of anti-Semitism in both its Nazi and Stalinist variants.  Completed in 1968 and silenced for decades by the Russian authorities, this shocking opera comes to the Teatro Real backed by an irrepressible international fame.

In commemoration of the 100th anniversary of the death of Gerard Mortier (1943-2014)

English

La Pasajera by Weinberg, ons. 13 mar. 2024, Fra (2024/2024), Instrueret af David Pountney,, Dirigent Mirga Gražinytė-Tyla, Teatro Real, Madrid, Spain

Forestilling krediteringer (Medvirkende & Produktionshold )

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