Name: La Mer Strauss Debussy
Start: 2024-05-16T00:00:00.000Z
End: 2024-05-17T00:00:00.000Z
Location: Salle Poirel

Organization

Direzione d'orchestra

Marta Gardolińska

Strumento

Alexandre Gattet

Oboe

Opéra national de Lorraine

Orchestra

Orchestre de l'Opéra national de Lorraine

La Mer Strauss Debussy

Nancy

Francia

Salle Poirel

Public

Serenata per fiati

Oboe Concerto, TrV 292

Il mare

Approvato

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Altro

Ballando

Chorus Director

Composizione

Coreografia

Coro

Costumi

Direzione del coro

Docente di canto

Drammaturgia

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Luci

Maestro ripassatore

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Regia

Scenografia

Stage Manager

Suono

Traduzione

Trucco

Video

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Cantante

Controtenore

Soprano

Basso

Baritono

Tenore

Mezzosoprano

Basso-baritono

Alto

Continuo

Mimi

Narrazione

Voce bianca

When it was created in 1905, La Mer caused a certain disappointment among fervent admirers of Debussy. We expected the "impressionist" colors of the delicate and evanescent maritime evocations of Pelléas , we found there a firmness of features and a tawny density of colors. It was in Burgundy, in Bichain, that Debussy had begun his work two years earlier: “ You will tell me that the ocean does not exactly bathe the Burgundy hillsides…! […] But I have countless memories; that is better, in my opinion, than a reality whose charm generally weighs too heavily on your thoughtshe then wrote to André Messager. A studio work, therefore, and not on the motif, which seeks to render the very essence of the sea, its perpetual becoming rather than its picturesque wetness. Seeking to approach in short the very essence of the marine element, its permanent future, its ever-changing waters and its prodigious faculty of metamorphosis, Debussy signed with this masterpiece a veritable poem of immanence.

His symphonic poems like Zarathustra give the idea of ​​an exclusively romantic and modernist Strauss, but this is to forget that the author of the Rosenkavalier was a great admirer of classicism and of Mozart in particular. Witness this Oboe Concerto , which, at the end of its life and after the horrors of the Second World War, looks with a leap of spirit to abolish the horrors of time towards the happy and serene classicism of the eighteenth century as to a lost paradise.

English

En 1905 à sa création, La Mer provoqua chez les fervents admirateurs de Debussy une certaine déception. On y attendait les couleurs « impressionnistes » des délicates et évanescentes évocations maritimes de Pelléas, on y trouva une fermeté des traits et une densité fauve des couleurs. C’est en Bourgogne, à Bichain, que Debussy avait commencé son travail deux ans auparavant : « Vous me direz à cela que l’Océan ne baigne pas précisément les coteaux bourguignons… ! […] Mais j’ai d’innombrables souvenirs ; cela vaut mieux en mon sens, qu’une réalité dont le charme pèse généralement trop lourd sur votre pensée » écrira-t-il alors à André Messager. Un travail d’atelier, donc, et non sur le motif, qui cherche à rendre l’essence même de la mer, son perpétuel devenir plutôt que son pittoresque humide. Cherchant à approcher en somme l’essence même de l’élément marin, son devenir permanent, ses eaux toujours changeantes et sa prodigieuse faculté de métamorphose, Debussy signait avec ce chef-d’œuvre un véritable poème de l’immanence.

Ses poèmes symphoniques comme Zarathustra donnent l’idée d’un Strauss exclusivement romantique et moderniste, mais c’est oublier que l’auteur du Chevalier à la rose fut un grand admirateur du classicisme et de Mozart en particulier. En témoigne ce Concerto pour hautbois, qui, à la fin de sa vie et après les horreurs de la Seconde Guerre mondiale, regarde en un sursaut de l’esprit pour abolir les horreurs du temps vers le classicisme heureux et serein du xviiie siècle comme vers un paradis perdu.

français

La Mer Strauss Debussy by Strauss, Debussy, ven 17 mag 2024, Da (2024/2024), Direttore d'orchestra Marta Gardolińska, Salle Poirel, Nancy, Francia

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