Name: La Cenerentola
Start: 2021-12-10T00:00:00.000Z
End: 2022-02-12T00:00:00.000Z
Location: Opernhaus

Organization

Stage director

Lindy Hume

Conductor

Andrea Sanguineti

Singer

Mezzo-soprano

Sandra Maxheimer

Angelina

Lena Belkina

Tenor

Gustavo Quaresma

Don Ramiro

Baritone

Jonathan Michie

Dandini

Soprano

Olga Jelínková

Clorinda

Christiane Döcker

Tisbe

Bass

Sejong Chang

Alidoro

Choreographer

Friedrich Bührer

Dramaturge

Elisabeth Kühne

Chorus master

Thomas Eitler-de Lint

Pablo Ruiz

Don Magnifico

Paolo Bordogna

Costume designer

Dan Potra

Set designer

Opera Queensland

Oper Leipzig

New Zealand Opera

Orchestra

Gewandhausorchester

Others

Herren des Opernchores

italų

La Cenerentola -  (Cinderella)

Leipzig

Germany

Opernhaus

La Cenerentola Rossini

Public

Cinderella

vokiečių

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

La Cenerentola

Den Mythos vom »Aschenbrödel« oder »Aschenputtel« gibt es seit Jahrhunderten in verschiedenen Varianten in Europa, Afrika und Asien. In Deutschland wird er d...

The myth of »Cinderella« or »Cinderella« has existed in different variants in Europe, Africa and Asia for centuries. In Germany he will be known to most in the version of the Brothers Grimm. Another important adaptation is Charles Perrault's »Cendrillon ou la Petite Pantouffle de verre« (»Cinderella or the Little Glass Slipper«) from 1697. Here the motif of the glass slipper appears for the first time, which is ultimately decisive for the love between Cinderella and the prince will. The Italian composer Gioacchino Rossini also took up the Cinderella fairy tale with his librettist Jacopo Ferretti in 1817, but made decisive changes: Ferretti replaced the glass slipper with a bracelet. But what is Cinderella without her famous shoe?

Rossini shows: It doesn't necessarily have to be the shoe. Because although Rossini is based on Perrault's »Cendrillon«, his opera is not a fairy tale. Rather, with »La Cenerentola« he ties in with the playful Commedia dell'arte. Carnivalesque, the characters mislead each other through numerous disguises and role changes. It's quite turbulent at times - but there is still room for moments of deep intimacy and poetry, as not only the love scenes between Cinderella Angelina and her prince Don Ramiro show, but also Rossini's brilliant music.

English

Cinderella by Rossini, šeš 12 vas 2022, Nuo (2021/2022), Režisierius Lindy Hume,, Dirigentas Andrea Sanguineti, Opernhaus, Leipzig, Germany

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