Name: Il barbiere di Siviglia
Start: 2023-05-12T00:00:00.000Z
End: 2023-05-14T00:00:00.000Z
Location: Teatro Coccia

Organization

Licht ontwerper

Ivan Pastrovicchio

Koor meester

Massimo Fiocchi Malaspina

Zanger

Bass

Eoardo Sgariglia Moresi

Ambrogio

Dirigent

Christopher Franklin

Regisseur

Alberto Jona

Set designer

Matteo Capobianco

Kostuum ontwerper

Silvia Lumes

Tenor

Chuan Wang

De graaf van Almaviva

Michele Govi

Dokter Bartolo

Baritone

Emmanuel Franco

Figaro

Abramo Rosalen

Basilio

Soprano

Giovanna Donadini

Berta

Claudio Zazzaro

Davide Piva

Mezzo-soprano

Magdalena Urbanowicz

Rosina

Diego Savini

Matteo Mollica

Fiorella

Officier

Aya Wakizono

Teatro Coccia

Orchestra

Italian Philharmonic Orchestra

Il barbiere di Siviglia -  (De barbier van Sevilla)

Novara

Italië

Il barbiere di Siviglia

Public

De barbier van Sevilla

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Broadcasting

Choreograaf

Chorus Director

Componist

Danser

Dramaturg

Extra

Geluidsontwerper

Haar stylist

Illustrator

Koor

Librettist

Orchestra Operations

Orkest

Other

Photographer

Poet

Répétiteur

Stage Manager

Teacher

Uitvoerend producent

Vertaler

Video ontwerper

Visagist

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Il barbiere di Siviglia Rossini

Staging Rossini's The Barber of Seville is a gamble to make your wrists tremble and at the same time an incredible joy. A bet because every time you try your hand at the great masterpieces you have behind and beside stagings and directions that it is impossible not to know, remember and retrace, now innovative, now mythical, now crazy, now milestones; on the other hand, however, Rossini's writing is pure theater and as soon as the score opens, a perfect scenic score flares up, where every note is a gesture and every gesture is music.

Perfect clockwork mechanism, shared heritage, now that I taste it every day The Barber confirms my vis comicdell'Arlecchino by Goldoni, commedia dell'arte and farce which, however, in turn contains the seeds of a changing world, of a new social class which is taking over power and above all of new values ​​which also involve the making of art and creativity. All this with the immense self-irony of Rossini who even knows how to smile at his own musical mechanisms, at his topoi, as well as at man and at the chaos looming on the horizon.

How to stage it? meanwhile the spaces: from the open to the closed, an almost claustrophobic closed in the end from which one will not be able to escape except with the stroke of genius of Figaro. The story? certainly a generational clash between old and young, and in the middle a new figure who asserts himself in society and in opera, the astute and unscrupulous bourgeois, Figaro precisely. An apparently adamantine mechanism, in reality already cracked by the chaos that intersects the action several times, upsetting everything and inexorably moving us away from the Enlightenment.

A crowded old world , cramped and oppressive, dominated by the Diogenes complex of the landlord, which opposes the outside world defined by transparencyof youth, from fantasy and dreams, but also from the risk of the unpredictable, elements evoked also through the language of shadow theater, in stark contrast to the claustrophobic world of Don Bartolo.

Two colorful worlds where the characters are almost ideophoric puppets , Guido Ceronetti would have said, that is bearers of ideas, requests, feelings, affections, who advance apparently happy and carefree towards the abyss, like Lemmings, in an almost suspended time which is slowly sinking.

English

De barbier van Sevilla by Rossini, za. 13 mei 2023, Van (2023/2023), Geregisseerd door Alberto Jona,, Dirigent Christopher Franklin, Teatro Coccia, Novara, Italië

Voorstellingscredits (Cast & Productieteam )

Cast

Productieteam

Ensemble

Programma, Over & Synopsis

Foto's

Verder lezen

Uitvoeringsdata en -locaties

Speellocaties