Name: Il barbiere di Siviglia
Start: 2013-10-10T00:00:00.000Z
End: 2013-10-11T00:00:00.000Z
Location: Anthéa

Organization

Conductor

Christoph Stiller

Stage director

Michiel Dijkema

Costume designer

Claudia Damm

Chorus master

Anton Tremmel

Dramaturge

Karin Dietrich

Singer

Tenor

Francisco Brito

The Count of Almaviva

Bass

Thomas de Vries

Doctor Bartolo

Mezzo-soprano

Merit Ostermann

Rosina

Baritone

Brett Carter

Figaro

Bernd Hofmann

Don Basilio

Erik Biegel

Fiorello

Thomas Braun

An officer

Aldomir Mollov

Silent

Arnd Maier

A notary

Anthéa

Orchestra

Hessisches Staatsorchester Wiesbaden

Others

Wiesbadener Knabenchor

Il barbiere di Siviglia -  (The Barber of Seville)

Antibes

France

Public

The Barber of Seville

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Soprano

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Spoken

Il barbiere di Siviglia Rossini

the story
in Seville in the 18th century. The merry barber Figaro helps Count Almaviva conquer Rosina. But Rosina is jealously guarded by the old Doctor Bartolo who intends, helped by the sinister Don Basilio, to marry his ward as soon as possible. What to do to counter the plans of the old man? Figaro is not short of ideas. However the first attempt fails. The second getaway will almost succeed, and after exchanging tickets, disguises and cleverly settled preposterous situations, the love of the beautiful Rosina and Count Almaviva, finally restored to its true identity, will end up triumphing.
The Barber of Seville by Gioacchino Rossini has several records: composed in two weeks, it is the work of a twenty-four-year-old composer, who is already on his seventeenth opera! This production of the Wiesbaden Opera succeeds in rising to the height of such prowess as the music under the baton of Marc Piollet springs here with ease, clarity and crazy speed. The distribution is in tune. As for the sets, costumes and staging, they give way to the greatest craziness.

what they think
This Figaro is not only very brilliant from the point of view of the voices, but it enchants the public for the very particular treatment of its plot, an extremely imaginative staging, costumes and hairstyles full of audacity. You have to see it and hear it! Wiesbadener Kurier

No need to be a prophet: this Barber will be the workhorse of the year. Rossini's famous opera, performed at the State Theater in Wiesbaden, fulfills all audience expectations: speed, color, wit and class. Frankfurter Rundschau

English

The Barber of Seville by Rossini, Pk 11 okt 2013, No (2013/2013), Režisēja Michiel Dijkema,, Diriģents Christoph Stiller, Anthéa, Antibes, France

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Ansamblis

Programma, Informācija un Apraksts

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