Name: Il barbiere di Siviglia
Start: 2018-04-21T00:00:00.000Z
End: 2018-04-21T00:00:00.000Z
Location: Slovak National Theatre Historical Building

Organization

Conductor

Rastislav Stur

Stage director

Roman Polák

Set designer

Pavel Borák

Costume designer

Peter Čanecký

Choreographer

Stanislava Vlčeková

Chorus master

Pavel Procházka

Singer

Tenor

Martin Gyimesi

The Count of Almaviva

Bass

Jozef Benci

Doctor Bartolo

Mezzo-soprano

Stepanka Pucalkova

Rosina

Baritone

Aleš Jenis

Figaro

Peter Mikuláš

Don Basilio

Soprano

Eva Rampáčková

Berta

František Ďuriač

Fiorello

Igor Pasek

Captain

Martin Smolnický

Ambrogio

Ivan Martinka

An officer

Slovak National Theatre

Italian

Il barbiere di Siviglia -  (The Barber of Seville)

Bratislava

Slovakia

Slovak National Theatre Historical Building

Il barbiere di Siviglia Rossini

Public

The Barber of Seville

Slovak

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

We divide operas according to various criteria: tragic and comic, belcant, for some we emphasize that they are musical dramas, others bear in their name the place of their origin, such as the great French opera. If we were to responsibly include Rossini's work Barbier of Seville, the most apt designation would be - hunting. Indeed: in this comedy, the author brilliantly plays out comic situations, offers us a diverse range of human types that you just can't find, and presents all the storylines to the viewer as properly tangled spaghetti with a dose of spicy ingredients! Under his masterful hands is the story of Rosina's inmate, who is jealously guarded by her tutor Dr. Bartolo, and who he still gets, with the help of the fucking barber Figaro, young Count Almaviva - well, this seemingly ordinary story turns into the fireworks of original musical and situational ideas under the hands of Master Rossini. And the Rossini huncut, who often plays with completely banal musical forms and techniques without any embarrassment, does so with such charm that it has not hindered anyone for two hundred years and on all the opera stages in the world!

English

The Barber of Seville by Rossini, Sat 21 Apr 2018, From (2018/2018), Directed by Roman Polák,, Conductor Rastislav Stur, Slovak National Theatre Historical Building, Bratislava, Slovakia

Performance credits (Cast & Crew )

Cast

Crew

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues