Name: Il barbiere di Siviglia
Start: 2021-10-17T00:00:00.000Z
End: 2021-10-23T00:00:00.000Z
Location: Teatro Comunale di Bologna

Organization

Cantante

Tenor

César Cortés

El Conde de Almaviva

Bajo

Marco Filippo Romano

Don Bartolo

Mezzosoprano

Paola Leguizamón

Rosina

Barítono

Roberto de Candia

Figaro

Andrea Concetti

Basilio

Soprano

Laura Cherici

Berta

Director(a) de escena

Federico Grazzini

Director(a) orquestal

Pier Giorgio Morandi

Diseñador(a) de iluminación

Daniele Naldi

Diseñador(a) de vestuario/Figurinista

Stefania Scaraggi

Escenógrafo(a)

Manuela Gasperoni

Nicolò Ceriani

Fiorello

Paolo Faroni

Ambrosio

Director(a) coral

Gea Garatti Ansini

Gianluca Monti

Oficial

Nicolò Donini

Teatro Comunale di Bologna

italiano

Il barbiere di Siviglia -  (El barbero de Sevilla)

Bolonia

Italia

Il barbiere di Siviglia Rossini

Public

El barbero de Sevilla

Válido

For the cycle Let’s talk about Opera we present:
The Opera and the Comedy of Art - The Barber of Seville
The birth of the funny Italian opera finds great inspiration in the comedy tradition of art, which brings realistic subjects, colloquial language and entangled and hilarious plotlines even using a few characters.
David Riondino will reveal to us the close connection between two types of shows in which Italy has been the protagonist all over the world.
Introduces
Superintendent M° Fulvio Macciardi
Guests
David Riondino

Il barbiere di Siviglia

Composed in just over two months, Il Barbiere di Siviglia is considered Gioachino Rossini's masterpiece. The first performance took place in Rome in February 1816 and it was probably due to the short time available that the now consolidated comedy by Beaumarchais was chosen as the subject, which at the time had already been set to music six times. In this work Rossini often makes use of musical material already used in other works, for example his famous symphony was written first for the Aureliano in Palmyra and then also present in Elizabeth, Queen of England . The Barber of Seville it was not immediately appreciated by the public, but in a short time it became a symbol of the comic opera and of the Rossini style.

The story sees the succession of comic found by Figaro, the city's barber and factotum, to allow Rosina and the Count d'Almaviva to get married in spite of the will of Don Bartolo, the girl's tutor.

English

El barbero de Sevilla by Rossini, mar. 19 oct 2021, De (2021/2021), Dirigido por Federico Grazzini,, Director Pier Giorgio Morandi, Teatro Comunale di Bologna, Bolonia, Italia

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