Name: Götterdämmerung
Start: 2023-11-05T00:00:00.000Z
End: 2024-05-26T00:00:00.000Z
Location: Opernhaus

Organization

Opernhaus Zürich

Drammaturgia

Werner Hintze

Beate Breidenbach

Cantante

Baritono

Christopher Purves

Alberich

Soprano

Camilla Nylund

Brünnhilde

Lauren Fagan

Gutrune

Contralto

Freya Apffelstaedt

1. Norna

Giselle Allen

3. Norna

Uliana Alexyuk

Woglinde

Mezzosoprano

Niamh O'Sullivan

Wellgunde

Siena Licht Miller

Flosshilde

Sarah Ferede

Waltraute

Lena Sutor-Wernich

2. Norna

Altro

Basso-baritono

Wolfram Schneider-Lastin

Wotan

EQUIPMENT

Christian Schmidt

Regia

Andreas Homoki

Direzione d'orchestra

Gianandrea Noseda

Luci

Franck Evin

Scenografia

Florian Schaaf

Video

Tieni Burkhalter

Direzione del coro

Ernst Raffelsberger

Tenore

Klaus Florian Vogt

Siegfried

Daniel Schmutzhard

Gunther

Basso

David Leigh

Hagen

Orchestra

Philharmonia Zürich

Others

Chor der Oper Zürich

tedesco

Götterdämmerung -  (Il crepuscolo degli dei)

Zurigo

Svizzera

Opernhaus

Götterdämmerung Wagner,Richard

Public

Il crepuscolo degli dei

inglese

Approvato

Accordionist

Strumento

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianista

Recorder Player

Saxophonist

Suonatore di flauto

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinista

Violino Piccolo Player

Violista

Ballando

Chefdirigent Musiktheater

Chorus Director

Composizione

Coreografia

Coro

Costumi

Docente di canto

Emittente radiotelevisiva

Extra

Illustrator

Insegnante

Libretto

Maestro ripassatore

Off-Stage Artist

On-Stage Artist

Orchestra Operations

Parrucco

Photographer

Poet

Produzione esecutiva

Recitazione

Stage Manager

Suono

Traduzione

Trucco

Wig & Makeup Designer

Writer

Writing and performance

Controtenore

Alto

Mimi

Narrazione

Voce bianca

Götterdämmerung Wagner, Richard

Als «schlicht und ergreifend überwältigend» und «ein Ereignis ersten Ranges» lobt der SWR unsere Neuproduktion von Wagners «Götterdämmerung», die am vergange...

Twilight of the Gods
At the end of the second day of Richard Wagner's world-spanning stage festival, Siegfried and Brünnhilde had jubilantly sung their love, and for a moment it seemed as if the utopia of a world completely determined by love and free of power struggles could become reality. But already at the beginning of the third and last day, the Norns announce: «Eternal knowledge is at an end» – the terrible end is near. Siegfried will soon leave Brünnhilde, whom he loves after all, to set out on new deeds; he will meet Hagen, the hate-filled nightmare Alberich's son, who uses him for his cynical plans for domination. Using Siegfried is easy, because Siegfried knows nothing of the power of the ring, which he had given to Brünnhilde as a token of love. Hagen, on the other hand, is in possession of this knowledge; Driven by the greed for power and dominance, he spins his intrigues almost unhindered. But not only Siegfried falls victim to Hagen. Brünnhilde also has to endure terrible betrayal and experiences terrible humiliation and boundless pain. Siegfried's death finally leads to the downfall of the old world - the curse of the ring has lost none of its power: when she understands the full extent of the deceit, Brünnhilde gives the ring back to the Rhinemaidens and chooses death for herself. The gods perish, nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the Brünnhilde also has to endure terrible betrayal and experiences terrible humiliation and boundless pain. Siegfried's death finally leads to the downfall of the old world - the curse of the ring has lost none of its power: when she understands the full extent of the deceit, Brünnhilde gives the ring back to the Rhinemaidens and chooses death for herself. The gods perish, nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the Brünnhilde also has to endure terrible betrayal and experiences terrible humiliation and boundless pain. Siegfried's death finally leads to the downfall of the old world - the curse of the ring has lost none of its power: when she understands the full extent of the deceit, Brünnhilde gives the ring back to the Rhinemaidens and chooses death for herself. The gods perish, nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, the nature takes back what is hers. But alongside destruction and downfall, there is also room for hope: at the end, for the first time, theGötterdämmerung again the so-called salvation motif with which Brünnhilde had announced her son Siegfried in Die Walküre Sieglinde.
In 1849, under the impression of the revolution, Richard Wagner had begun the text and composition of the Ring des Nibelungen in Zurich; 26 years later and after a 12-year break in the middle of Siegfried , he was finally able to complete his main work and premiere it at the newly founded Bayreuth Festival. At the opera house, director and director Andreas Homoki and general music director Gianandrea Noseda are now bringing their Zürcher Ring to a close with the premiere of Götterdämmerung . Camilla Nylund and Klaus Florian Vogt are also in theGötterdämmerung as Siegfried and Brünnhilde, making important role debuts again in Zurich.

English

Twilight of the Gods
Am Ende des zweiten Tages von Richard Wagners weltumspannendem Bühnenfestspiel hatten Siegfried und Brünnhilde jubelnd ihre Liebe besungen, und für einen Moment schien es, als könne die Utopie einer ganz von Liebe bestimmten, von Machtkämpfen freien Welt Wirklichkeit werden. Doch schon zu Beginn des dritten und letzten Tags kündigen die Nornen es an: «Zu End’ ist ewiges Wissen» – das schreckliche Ende naht. Siegfried wird Brünnhilde, die er doch liebt, schon bald verlassen, um zu neuen Taten aufzubrechen; er wird auf Hagen treffen, des hasserfüllten Nachtalben Alberichs Sohn, der ihn für seine zynischen Herrschaftspläne benutzt. Siegfried zu benutzen, ist ein leichtes, denn Siegfried weiss nichts von der Macht des Rings, den er Brünnhilde als Liebespfand überlassen hatte. Hagen dagegen ist im Besitz dieses Wissens; von der Gier nach Macht und Herrschaft getrieben, spinnt er fast ungehindert seine Intrigen. Aber nicht nur Siegfried wird Hagens Opfer. Auch Brünnhilde muss schrecklichen Verrat erdulden und erlebt furchtbare Erniedrigung und grenzenlosen Schmerz. Siegfrieds Tod führt schliesslich zum Untergang der alten Welt – der Fluch des Rings hat nichts von seiner Kraft eingebüsst: Als sie das ganze Ausmass des Betrugs begreift, gibt Brünnhilde den Rheintöchtern den Ring zurück und wählt für sich selbst den Tod. Die Götter gehen unter, die Natur holt sich zurück, was ihr gehört. Doch neben Zerstörung und Untergang ist auch Platz für Hoffnung: Erstmals erklingt am Schluss der Götterdämmerung das sogenannte Erlösungsmotiv wieder, mit dem Brünnhilde in der Walküre Sieglinde ihren Sohn Siegfried angekündigt hatte.
1849 hatte Richard Wagner unter dem Eindruck der Revolution mit Text und Komposition des Ring des Nibelungen in Zürich begonnen; 26 Jahre später und nach einer 12-jährigen Unterbrechung mitten im Siegfried konnte er sein Hauptwerk endlich vollenden und bei den neugegründeten Bayreuther Festspielen uraufführen. Am Opernhaus bringen Intendant und Regisseur Andreas Homoki und Generalmusikdirektor Gianandrea Noseda nun mit der Premiere der Götterdämmerung ihren Zürcher Ring zum Abschluss. Camilla Nylund und Klaus Florian Vogt sind auch in der Götterdämmerung als Siegfried und Brünnhilde zu sehen und geben damit erneut in Zürich wichtige Rollendebüts.

Deutsch

Il crepuscolo degli dei by Wagner, Richard, dom 03 dic 2023, Da (2023/2024), Diretto da Andreas Homoki,, Direttore d'orchestra Gianandrea Noseda, Opernhaus, Zurigo, Svizzera

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