Name: Fin de partie
Start: 2023-10-15T00:00:00.000Z
End: 2023-10-15T00:00:00.000Z
Location: Kölner Philharmonie

Organization

Conductor

Markus Stenz

Singer

Bass

Frode Olsen

Hamm

Baritone

Zsolt Haja

Clow

Mezzo-soprano

Hilary Summers

Nell

Tenor

Leonardo Cortellazzi

Nagg

Kölner Philharmonie

Orchestra

Danubia Orchestra

Fin de partie -  (Endgame)

Cologne

Germany

Hans Imhoff Konzert

Fin de partie Kurtág

Public

Private

Endgame

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Soprano

Contralto

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Die Welt nach der Apokalypse, das Ringen der wenigen Überlebenden um Verständigung; der Versuch, noch Sinn zu stiften in einer Umwelt, die bloß noch sinnlos erscheint. György Kurtág wählt für seine 2018 uraufgeführte Oper »Fin de partie« radikale Motive. Samuel Becketts Theaterstück »Endspiel« skizziert eine Welt im postapokalyptischen Zustand: Menschliche Beziehungen befinden sich im Stadium des Zerfalls. Die Protagonisten können das, was ihr Leben ausmacht, nicht mehr benennen. Der ungarische Komponist György Kurtág spitzt diese Motive noch zu und schafft mit seiner gleichnamigen Oper ein Werk, das den Schrecken transzendiert. Seine musikalische Formsprache ist klar und präzise und stiftet eine Verbindlichkeit, die fast unmöglich scheint.

Deutsch

The world after the apocalypse, the struggle of the few survivors for communication; the attempt to create meaning in an environment that just seems pointless. György Kurtág chooses radical motifs for his opera “Fin de partie,” which premiered in 2018. Samuel Beckett's play "Endgame" sketches a world in a post-apocalyptic state: human relationships are in a state of decay. The protagonists can no longer name what makes up their lives. The Hungarian composer György Kurtág takes these motifs even further and, with his opera of the same name, creates a work that transcends horror. His musical form is clear and precise and creates a commitment that seems almost impossible.

English

Endgame by Kurtág, нед 15 окт 2023, от (2023/2023), диригент Markus Stenz, Kölner Philharmonie, Cologne, Germany

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