Name: Fidelio
Start: 2021-12-23T00:00:00.000Z
End: 2022-01-02T00:00:00.000Z
Location: Teatro del Maggio Musicale Fiorentino

Organization

Stage director

Matthias Hartmann

Conductor

Zubin Mehta

Set designer

Volker Hintermeier

Chorus master

Lorenzo Fratini

Lighting designer

Valerio Tiberi

Costume designer

Sophie Leypold

Singer

Tenor

Leonardo Melani

First prisoner

Luca Tamani

Bass

Nicolò Ayroldi

Second prisoner

Lisandro Guinis

Soprano

Lise Davidsen

Leonore

Klaus Florian Vogt

Florestan

Baritone

Tomasz Konieczny

Don Pizzaro

Birger Radde

Don Fernando

Franz-Josef Selig

Rocco

Francesca Aspromonte

Marzelline

Luca Bernard

Jaquino

Fondazione del Teatro del Maggio Musicale Fiorentino

Others

Coro del Maggio Musicale Fiorentino

Orchestra

Orchestra del Maggio Musicale Fiorentino

Festival del Maggio Musicale Fiorentino

Assistant Lighting Designer

Emanuele Agliati

němčina

Fidelio

Florence

Italy

Teatro del Maggio Musicale Fiorentino

Sala Zubin Mehta

Fidelio Beethoven

Public

italština

angličtina

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Countertenor

Mezzo-soprano

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Unicum of his production,  Fidelio  cost Beethoven a lot of effort: eleven years of work and rethinking that resulted in three versions of the work. The subject taken from the play by Jean-Nicolas Bouilly,  Leonora, or marital love,  was well known at the time and was part of the very fashionable genre of  pi è ce de  sauvetage., in which novel and topical elements merged in an adventurous intertwining with a happy final resolution. The first version of 1805 was accused of prolixity, the second, the following year, went better but without obtaining the desired effects. Beethoven, before putting his hand to this creature that he was unable to completely tame, decided to be patient and after a decade, now strong in the successes obtained in the instrumental field, he attempted the third and last revision. The libretto was revised by Georg Friedrich Treitschke, some pieces were eliminated, others rewritten and some passages of the orchestration retouched. May 23, 1814  Fidelio it is ready to go on stage and finally gather the much desired consent. In the latest version Beethoven fully developed themes dear to him such as the dialectic between good and evil, between justice and tyranny with the consequent final triumph of Reason and Love, enhancing them with music with epic contents.

English

Fidelio by Beethoven, ne 02 led 2022, Od (2021/2022), Režie Matthias Hartmann,, Dirigent Zubin Mehta, Teatro del Maggio Musicale Fiorentino, Florence, Italy

Výkonnostní kredity (Obsazení a tým )

Obsazení

Osádka

Soubor

Koproducent

Program, Informace a Synopsis

Fotografie

Další čtení

Termíny a místa představení

Divadla/scény