Name: Euskadiko orkestra
Start: 2022-03-29T00:00:00.000Z
End: 2022-03-29T00:00:00.000Z
Location: Auditorio Baluarte

Organization

Soprano

Ainhoa Arteta

Baritone

Michael Nagy

Conductor

George Mark

Fundación Baluarte

Others

Coral de Cámara de Pamplona

Orchestra

Euskadiko Orkestra

Euskadiko orkestra

Pamplona

Spain

Auditorio Baluarte

Sala Principal

Public

A German Requiem

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Singer

Bass-baritone

Mezzo-soprano

Tenor

Countertenor

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

Euskadiko orkestra: Ein deutsches Requiem Brahms

With texts taken from Luther's Bible, Brahms's German Requiem was initially a controversial creation and not well received in Catholic circles, which was branded as ascetic. But the famous critic Eduard Hanslick did appreciate its value: "It is one of the most mature fruits that has been born of the style of the last Beethoven in the field of sacred music," he wrote. "The harmonic and contrapuntal art that Brahms learned from the Bach school is inspired by the living breath of the present." The German RequiemIt soon became a central page of the symphonic-choral repertoire and, to address it, Euskadiko Orkestra wanted to invite a group of first-rate voices: the soprano Ainhoa ​​Arteta, the baritone Michael Nagy and the Orfeón Pamplonés, which will be the first chorus in returning to our concerts after the pandemic. They will be guided by a director known to our subscribers, Georg Mark.

English

Con textos tomados de la Biblia de Lutero, el Réquiem Alemán de Brahms fue en sus inicios una creación polémica y no bien recibida en los ambientes católicos, que la tildaron de ascética. Pero el famoso crítico Eduard Hanslick sí supo apreciar su valía: “Es uno de los frutos más maduros que ha nacido del estilo del último Beethoven en el terreno de la música sacra”, escribió. “El arte armónico y contrapuntístico que Brahms aprendió de la escuela de Bach es inspirado con el aliento vivo del presente”. El Réquiem Alemán pronto pasó a erigirse en una página central del repertorio sinfónico-coral y, para abordarlo, Euskadiko Orkestra ha querido invitar a un conjunto de voces de primer nivel: la soprano Ainhoa Arteta, el barítono Michael Nagy y el Orfeón Pamplonés, que será el primer coro en regresar a nuestros conciertos tras la pandemia. Tendrán como guía a un director conocido por nuestras/os abonadas/os, Georg Mark.

español

Euskadiko orkestra by Brahms, Tue 29 Mar 2022, From (2022/2022), Conductor George Mark, Auditorio Baluarte, Pamplona, Spain

Performance credits (Cast & Crew )

Cast

Ensemble

Programme, About & Synopsis

Photos

Further reading

Performance Dates & Venues

Venues