Name: Ein deutsches Requiem, op. 45
Start: 2024-01-29T00:00:00.000Z
End: 2024-01-29T00:00:00.000Z
Location: Salle Garnier

Organization

Conductor

Gianluca Capuano

Chorus master

Stefano Visconti

Soprano

Regula Mühlemann

Opéra de Monte-Carlo

Orchestra

Les Musiciens du Prince - Monaco

Others

Choeur de l'Opéra de Monte-Carlo

Baritone

Florian Boesch

Ein deutsches Requiem, op. 45 -  (A German Requiem)

Monaco

Salle Garnier

Public

A German Requiem

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Tenor

Mezzo-soprano

Bass-baritone

Contralto

Spoken

Child vocalist

Silent

Alto

Continuo

One of the first acts of the new management of the Opéra de Monte-Carlo was the launch of a series of concerts intended to enrich the universe of the choir of the Opéra and to reveal to the public the extent of its abilities. After Rossini's Stabat Mater last season and Verdi's Requiem this season, it's the turn of A German Requiemby Johannes Brahms to be presented in this context. Between 1857 and 1868, the composer was devastated by the disappearance of two loved ones: that of Robert Schumann, his mentor, then that of his own mother. These two events will push him to develop what will become his passport to glory. Created in 1869, this sacred work, but not liturgical, opened up to him the world of symphonic music, a universe he had hitherto hesitated to embrace. Even if the desire of its author to make it an ecumenical work could not materialize, its humanist character transpires through an inspired writing, vibrant with more than ostentatious inner emotions. Halfway between the Baroque funeral cantata in its form and the Romantic oratorio in its numbers, A German Requiemis an ideal work to allow the Musicians of the Prince – Monaco, led by Gianluca Capuano, to fully restore the sounds of the period thanks to their sensitive approach to 19th century music.

English

Un des premiers actes de la nouvelle direction de l’Opéra de Monte-Carlo fut le lancement d’une série de concerts destinée à enrichir l’univers du chœur de l’Opéra et à dévoiler au public l’étendue de ses capacités. Après le Stabat Mater de Rossini la saison dernière et le Requiem de Verdi cette saison, c’est au tour d’Un requiem allemand de Johannes Brahms d’être présenté dans ce cadre. Entre 1857 et 1868, le compositeur est bouleversé par la disparition de deux êtres proches : celle de Robert Schumann, son mentor, puis celle de sa propre mère. Ces deux événements le pousseront à élaborer ce qui deviendra son passeport pour la gloire. Créée en 1869, cette œuvre sacrée, mais pas liturgique, lui ouvrira le monde de la musique symphonique, un univers qu’il avait jusque-là hésité à embrasser. Même si la volonté de son auteur d’en faire une œuvre œcuménique n’a pu se concrétiser, son caractère humaniste transpire au travers d’une écriture inspirée, vibrante d’émotions intérieures plus qu’ostentatoires. À mi-chemin entre la cantate funèbre baroque par sa forme et l’oratorio romantique par son effectif, Un requiem allemand est une œuvre idéale pour permettre aux Musiciens du Prince – Monaco, menés par Gianluca Capuano, de restituer pleinement les sonorités d’époque grâce à leur approche sensible de la musique du XIXe siècle.

français

A German Requiem by Brahms, mán 29 jan 2024, Frá (2024/2024), Hljómsveitarstjóri Gianluca Capuano, Salle Garnier, Monaco, Monaco

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