Name: Die Zauberflöte
Start: 2024-03-15T00:00:00.000Z
End: 2024-03-24T00:00:00.000Z
Location: Opéra de Lausanne

Organization

Opéra de Lausanne

Conductor

Frank Beermann

Stage director

Eric Vigié

Costume designer

Video designer

Gianfranco Bianchi

Staging Assistant

Jean-Philippe Guilois

Chorus master

Pascal Mayer

Singer

Tenor

Oleksiy Palchykov

Tamino

Soprano

Tamara Banjesevic

Pamina

Sara Blanch

The Queen of the Night

Baritone

Björn Bürger

Papageno

Bass

Guilhem Worms

Sarastro

Speaker

Yuki Tsurusaki

Papagena

Pablo Garcia Lopez

Monostastos

Esther Dierkes

First lady

Nuada Le Dreve

Second lady

Contralto

Béatrice Nani

Third lady

Maxence Billiemaz

First priest

Adrien Djouadou

Second priest

First armored man

Second armored man

Opéra de Tours

Others

Choeur de l'Opéra de Lausanne; Maîtrise du Conservatoire de Lausanne

Orchestre de Chambre de Lausanne

Set designer

Mathieu Crescence

Die Zauberflöte -  (The Magic Flute)

Lausanne

Switzerland

Public

Private

The Magic Flute

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Countertenor

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Une Flûte en quête de son âme d'enfant(s)
Constance raconte que durant les derniers jours de son existence, à l’automne 1791, Mozart suivait depuis son lit, montre en main, chaque représentation de sa Zauberflöte par le Theater auf der Wieden de son ami Emanuel Schikaneder, fredonnant ses airs emblématiques… Pouvait-il offrir plus belle preuve de son attachement à cette partition aujourd’hui entrée dans la légende, dans laquelle il renoue, après la très aristocratique (et italienne) « trilogie Da Ponte », avec le genre du théâtre populaire qui lui va si bien, combinant idéalement féerie enfantine (incarnée par les personnages de Papageno et Papagena) et initiation spirituelle (à travers la quête de Tamino et Pamina) ? Cette œuvre emblématique est portée à la scène par le directeur de l’Opéra de Lausanne Éric Vigié qui, pour cette nouvelle production a souhaité poncer les couches successives de vernis intellectuel qui se sont accumulées au fil des siècles dans l’imaginaire collectif pour retrouver sa patine originelle toute de féerie et de naïveté enfantine. Comment ? En déplaçant la focale narrative au niveau des Trois Garçons et en habillant l’ensemble de soieries orientales : dépoussiérage garanti !

français

A Flute in search of its child's soul
Constance relates that during the last days of his existence, in the autumn of 1791, Mozart followed from his bed, watch in hand, each performance of his Zauberflöteby his friend Emanuel Schikaneder's Theater auf der Wieden, humming his emblematic tunes... Could he offer better proof of his attachment to this legendary score, in which he revives, after the very aristocratic (and Italian ) “Da Ponte trilogy”, with the genre of popular theater that suits it so well, ideally combining childish magic (embodied by the characters of Papageno and Papagena) and spiritual initiation (through the quest of Tamino and Pamina)? This emblematic work is brought to the stage by the director of the Opéra de Lausanne Éric Vigié who, for this new production, wanted to sand down the successive layers of intellectual varnish that have accumulated over the centuries in the collective imagination to regain its original patina full of magic and childish naivety. How ? By shifting the narrative focal point to the level of the Three Boys and by dressing the ensemble in oriental silks: dusting guaranteed!

English

The Magic Flute by Mozart, fre. 22 mar. 2024, Fra (2024/2024), Instrueret af Eric Vigié,, Dirigent Frank Beermann, Opéra de Lausanne, Lausanne, Switzerland

Forestilling krediteringer (Medvirkende & Produktionshold )

Medvirkende

Produktionshold

Ensemble

Co-producer

Program, Information & Oversigt

Yderligere læsning

Forestillingsdatoer og spillesteder

Spillesteder