Name: Die Zauberflöte
Start: 2013-11-09T00:00:00.000Z
End: 2013-11-10T00:00:00.000Z
Location: Anthéa

Organization

Stage director

Peter Brook

Pianist

Vincent Pavesi

Costume designer

Elena Panayotova

Vocal coach

Véronique Dietschy

Lighting designer

Philippe Vialatte

Singer

Tenor

Alex Mansoori

Monostastos

Bass

Sarastro

Baritone

Thomas Dolié

Papageno

Soprano

Betsabee Haas

Papagena

Malia Bendi Merad

The Queen of the Night

Dina Bawab

Pamina

Roger Padullés

Tamino

Anthéa

Les Musiciens du Louvre

Théâtres de la Ville de Luxembourg

Piccolo Teatro di Milano

Barbican Centre

Die Zauberflöte -  (The Magic Flute)

Antibes

France

Public

Private

The Magic Flute

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Video designer

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Die Zauberflöte Mozart

the story
Sarastro, High Priest of Isis and Osiris, kidnapped Pamina, daughter of the Queen of the Night. Tamino, a reckless prince in love with the princess, goes looking for her, accompanied by Papageno the bird catcher. To protect them, the Queen of the Night gives them two talismans against danger: a magic chime and a magic flute... no sooner have the two lovers found each other than they are separated. Desperate, Pamina, already rejected by her mother, must resist the temptation to commit suicide. Then she pulls herself together, and finds Tamino just as he is about to face the ultimate trials. Together, they will emerge victorious. The tale turns into a beautiful love story.

What they say
to be academic with the works seems to me contrary to the very nature of Mozartian art. The idea is to get the singers – young singers – to move forward in a natural, lively and loving way in the unfolding of the plot without imposing projections, constructions, videos or sets that turn... By approaching it in a playful spirit, Mozart reinvents itself at every moment, and it is in this direction, deeply respectful of the essentials, that we are going to work. With this intuition that with Mozart, it is not a question of hiding or modernizing, but of revealing... Peter Brook

what they think
Peter Brook frees Mozart's masterpiece from genre conventions. To bring out the purest emotions from the libretto. Aurélien Ferenczi, Telerama

Freed from a scenography for a big stage and served by singers happy to be so close to the spectators, with whom they are playing, this Magic Flute is of great beauty and makes it possible to reach a different audience. Winner all the way. Eric Libiot, L'Express

English

The Magic Flute by Mozart, S 09 nov 2013, No (2013/2013), Režisēja Peter Brook,, Anthéa, Antibes, France

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