Name: Così fan tutte
Start: 2024-03-15T00:00:00.000Z
End: 2024-06-22T00:00:00.000Z
Location: Moniuszko Auditorium

Organization

Dirigent

Yaroslav Shemet

Regissör

Wojciech Faruga

Scenograf

Katarzyna Borkowska

Kostym designer

Ljus designer

Körledare

Mirosław Janowski

Soprano

Aleksandra Orlowska

Fiordiligi

Mezzo-soprano

Zuzanna Nalewajek

Dorabella

Tenor

Łukasz Baltazar Kózka

Ferrando

Baritone

Hubert Zapiór

Guglielmo

Bass

Artur Janda

Don Alfonso

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

Anna Malesza-Kutny

Despina

Magdalena Stefaniak

Pavlo Tolstoy

italienska

Così fan tutte

Warszawa

Polen

Moniuszko Auditorium

Così fan tutte Mozart

Public

polska

engelska

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Saxophonist

Trombonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Librettist

Koreograf

Dansare

Skådespelare

Video designer

Dramaturg

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Countertenor

Singer

Bass-baritone

contralto

Spoken

Child vocalist

Silent

Alto

Continuo

The growing interest in Weinberg, a fascinating composer tapping into Polish, Jewish, and Russian culture, means that his music, which up until recently was mainly confined to recordings and philharmonic concerts, is making its way into theatre programmes. While his operatic pieces have already gained considerable recognition (a good point in case is the memorable Passenger shown on our stage for a few seasons), now the time has come to shine a light on Weinberg’s ballet, The Golden Key.

Every child knows the tale of Pinocchio, a wooden puppet that becomes a real boy. While the character was originally conceived by Carlo Collodi, it is important to note that every era has its version of the story. Weinberg’s ballet is based on a reworking of the original tale, Alexei Tolstoy’s book Buratino. Tolstoy, a distant cousin of the famous writer, drew heavily on Collodi yet took the liberty of making some far-reaching changes to the plot.

Weinberg’s ballet is inspired by commedia dell’arte: burattino is Italian for ‘marionette’ and the name of a character of those improvised comedies. In the early 20th century, Igor Stravinsky chose a closely connected protagonist for his Petrushka. While his work was intended for adult audiences, Weinberg’s piece was meant for children, despite including allusions to the oppressive Soviet realities that only grown-ups could infer. The ballet was written between 1954 and 1955; the revised version was composed between 1961 and 1962. You can sense the spirit of Dimitri Shostakovich in The Golden Key: while Weinberg was friends with the composer, his ballet music is thoroughly original. It is a vibrant, multicoloured story full of humour, lyricism, and references to popular dances (waltz, tarantella).

Drawing inspiration from Collodi, Anna Hop weaves an original story fit for the modern age. One thing remains the same: the universal message about the hardships of growing up. The production is also a wonderful opportunity to showcase the magic of stagecraft as we follow the fairy tale adventures of a boy who roams different worlds to eventually return home and face his past.  

Pinocchio is a family ballet: greatly enjoyed by children and admired by grown-ups. All thanks to Weinberg’s playful music, the beauty of dance, the magic of  theatrical imagery, and the deeply meaningful story about the triumph of vulnerability over violence, the pursuit of freedom, and the necessity to sometimes lose one’s way in to grow as a person.

English

Così fan tutte by Mozart, fre 15 mar 2024, Från (2024/2024), Regisserad av Wojciech Faruga,, Dirigent Yaroslav Shemet, Moniuszko Auditorium, Warszawa, Polen

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Program, Om & Synopsis

Foton

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser