Name: Capriccio
Start: 2016-11-03T00:00:00.000Z
End: 2016-11-16T00:00:00.000Z
Location: Palais de la Monnaie

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Organization

Cantante

Soprano

Sally Matthews

La condesa Madeleine

Barítono

Dietrich Henschel

El conde

Tenor

Edgaras Montvidas

Flamand

Lauri Vasar

Olivier

Bajo

Kristinn Sigmundsson

La Roche

Contralto

Charlotte Hellekant

Clairon

François Piolino

Monsieur Taupe

Elena Galitskaya

Eine italienische Sängerin

Dmitry Ivanchey

Ein italienischer Sänger

Christian Oldenburg

El mayordomo

Director(a) orquestal

Lothar Koenigs

Director(a) de escena

David Marton

Diseñador(a) de vestuario/Figurinista

Pola Kardum

Escenógrafo(a)

Christian Friedländer

Diseñador(a) de iluminación

Henning Streck

Dramaturgia

Barbara Engelhardt

Zeno Popescu

Acht Diener

Nabil Suliman

Vincent Lesage

Bertrand Duby

Kris Belligh

Pierre Derhet

Maxime Melnik

Artur Rożek

La Monnaie/De Munt

Opéra de Lyon

Orchestra

La Monnaie Symphony Orchestra

alemán

Capriccio

Bruselas

Bélgica

Palais de la Monnaie

Capriccio Strauss,R

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francés

neerlandés

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Musette de cour Player

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Coro

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Radiodifusión

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Mezzosoprano

Alto

Continuo

Papel de hablante

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Vocalista infantil

De mooiste vruchten pluk je in de herfst - ‘Capriccio’, de laatste opera van Richard Strauss. – http://bit.ly/2cFtEs8----------------------------------------...

‘An opera is an absurd thing. Orders are given in song; politics is discussed in a duet. One danses around a grave, and dagger thrusts are dealt out in music.’ In Capriccio, his last opera, Richard Strauss reflects on the opera genre, and more especially on the question of which actually takes priority – the music or the words. This dilemma is depicted metaphorically in this ‘Konversationsstück für Musik’: an 18th-century countess is faced with the heart-rending choice between the love of a composer and that of a poet. Strauss’s musical voice is here full of dramatic power, humour, and sentiment and reaches a peak of refinement, sometimes flirting with chamber music. In his debut at La Monnaie, the Hungarian director David Marton creates a dream-world in which theatre itself appears on stage, and the conductor Lothar Koenigs spurs our orchestra to heights of subtlety. ‘If you choose one, you lose the other! Doesn’t one always lose, when one wins?’

English

Capriccio by Strauss, mié. 16 nov 2016, De (2016/2016), Dirigido por David Marton,, Director Lothar Koenigs, Palais de la Monnaie, Bruselas, Bélgica

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