Name: Boris Godunov
Start: 2016-07-16T00:00:00.000Z
End: 2016-07-16T00:00:00.000Z
Location: Royal Albert Hall

Admin

Organization

BBC Proms

Cantante

Barítono

Bryn Terfel

Boris Godunov

Mezzosoprano

Benjamin Knight

Fiódor

Soprano

Vlada Borovko

Yenia

Tenor

John Graham-Hall

El Príncipe Shuiski

Kostas Smoriginas

Andrei Chelkalov

Bajo

Ain Anger

Pimen

David Butt Philip

Grigori

Andrii Goniukov

Varlaam

Harry Nicoll

Misail

Rebecca de Pont Davies

La tabernera

Andrew Tortise

Director(a) orquestal

Antonio Pappano

Royal Opera House

Boris Godunov -  (Boris Godounov)

Londres

Reino Unido

Royal Albert Hall

Boris Godounov

Válido

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor/actriz

Bailarín(a)

Chorus Director

Compositor(a)

Coreógrafo(a)

Coro

Director(a) coral

Director(a) de escena

Diseñador(a) de iluminación

Diseñador(a) de sonido

Diseñador(a) de vestuario/Figurinista

Diseñador(a) de video

Dramaturgia

Entrenador(a) vocal

Escenógrafo(a)

Extra

Illustrator

Libretista

Maestro repetidor

Maquillaje

Orchestra Operations

Orquesta

Otro

Peinado

Photographer

Poet

Producción Ejecutiva

Profesor(a)

Radiodifusión

Stage Manager

Traductor(a)

Wig & Makeup Designer

Writer

Writing and performance

Bajobarítono

Contratenor

Contralto

Alto

Continuo

Papel de hablante

Papel mudo

Vocalista infantil

Director Katie Mitchell and designer Vicki Mortimer speak about their new Royal Opera production of Lucia di Lammermoor. Find out more at www.roh.org.uk/lucia

Lucia di Lammermoor is Donizetti's tragic masterpiece. The opera marked the beginning of his partnership with regular collaborator librettist Salvadore Cammarano – who, as was the fashion of the day, looked to Walter Scott. Cammarano’s adaptation of Scott’s novel The Bride of Lammermoor moved Donizetti greatly, and in the subsequent score he produced not only some of his most beautiful but also his most dramatically potent music. Within a few years of its premiere in Naples on 26 September 1835 Lucia had entered the international repertory. Here it has remained, despite a practice in the 19th and 20th centuries to make cuts that obscured Donizetti’s deft handling of his ensemble cast, with a consequent impact on the opera’s brilliant dramatic pacing.

Lucia’s ‘Mad Scene’ is the opera’s most famous moment – but it is Donizetti’s recollection of previous motifs, such as Lucia’s Act I aria ‘Regnava nel silenzio’ and her duet with Edgardo ‘Verranno a te sull’aure’ that poignantly make manifest her distracted mind. Other highlights include the acclaimed sextet ‘Chi mi frena in tal momento’, where Edgardo interrupts the wedding party, the furious duet between Enrico and Edgardo at the start of Act III and the opera’s closing Tomb Scene, with its heartfelt and sombre depiction of Edgardo’s loss. Director Katie Mitchell (Written on Skin) sets The Royal Opera’s new production in the 1840s and focusses on how an intelligent woman, failed by the men in her life, experiences a horrifying mental breakdown.

Katie Mitchell on Lucia di Lammermoor - 'My focus is 100% on the female characters'

Boris Godounov by Mussorgsky, sáb. 16 jul 2016, De (2016/2016), Director Antonio Pappano, Royal Albert Hall, Londres, Reino Unido

Créditos de presentación (Elenco & Equipo )

Elenco

Coproductor

Programa, Acerca de & Sinopsis

Vídeos

Más información

Fechas y lugares de actuación

Lugares