Name: Boris Godunov
Start: 2024-06-02T00:00:00.000Z
End: 2024-06-16T00:00:00.000Z
Location: Moniuszko Auditorium

Organization

Dirigent

Michał Klauza

Regissör

Mariusz Treliński

Scenograf

Boris Kudlička

Kostym designer

Wojciech Dziedzic

Koreograf

Maćko Prusak

Ljus designer

Marc Heinz

Video designer

Bartek Macias

Dramaturg

Marcin Cecko

Körledare

Mirosław Janowski

Children's Choir Master

Danuta Chmurska

Sångare

Tomasz Konieczny

Soloist

New National Theatre Tokyo

Teatr Wielki - Opera Narodowa

Orchestra

Orchestra of the Polish National Opera

Others

Chorus of the Polish National Opera

ryska

Boris Godunov

Warszawa

Polen

Moniuszko Auditorium

Private

Public

polska

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompositör

Librettist

Dansare

Skådespelare

Tolk

Ljud designer

Repetitör

Sminkartist

Exekutiv producent

Hårstylist

Other

Stage Manager

Kör

Orkester

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Mezzo-soprano

Bass-baritone

contralto

Countertenor

Soprano

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

After thirteen years, Mariusz Treliński reprises Modest Mussorgsky’s Boris Godunov, an operatic historical fresco and psychological drama exposing the mechanics of seizing and consolidating power by violence and stealth. Developed in 2008, the director’s first take on the opera was originally staged at the Lithuanian National Opera and Ballet Theatre in Vilnius. It opened in Warsaw a year later. The press described the production as  ‘a raw, yet suggestive tale of a ruler killed by remorse’ (Ruch Muzyczny) and ‘a story about a tsar’s rise to power and his demise’ (Gazeta Wyborcza).

Boris Godunov is a brilliant music adaptation of Alexander Pushkin’s very Shakespearian tragedy under the same title and describing one of the most tragic periods in Russian history, called Smuta. In the early 17th century, the throne was claimed by a succession of usurpers posing as Dimitry, the son of the last tsar of the Rurik dynasty. Dimitry was murdered by Boris Godunov, a powerful boyar who himself acceded to the throne only to be murdered by False Dimitry I. History was not kind to the the imposter either, and he was succeeded on the throne by three other usurpers. Only the emergence of Michael Romanov ended the period time of chaos and lawlessness, and begin a new dynasty. It did not, however, end tsarist autocracy. To the contrary, the Romanovs ruled the country with a rod of iron.

Modest Mussorgsky worked on the opera in a state of inspiration, drawing on Nikolay Karamzin’s history of Russia. ‘I lived Boris and in Boris, and the time […] has left permanent, cherished marks in my mind,’ he wrote in a litter to a friend. He completed the first version of the opera in 1869 and submitted the opera to the tsarist Mariinsky Theatre in St Petersburg, yet it was rejected. One of the reasons cited was the lack of a significant female role as the original version of the score did not feature Act 3 with the polonaise, nor the character of Marina Mniszech obsessed with marrying a tsar. In 1872 Mussorgsky devised a revised version and called the piece ‘people’s musical drama in four acts with a prologue based on Pushkin and Karamzin’, with the qualifier pointing to the important role played by the collective in the opera: meek and submissive towards a God-appointed monarch, the Russian people are shown as cruel and bloodthirsty when it comes to the imposter. Still, the second version of the work was not approved by the Mariinsky’s decision-makers either and would have surely fallen into oblivion if it had not been for the theatre’s first soloist Yuliya Feodorovna Platonova who threatened the tsarist officials with her resignation should they not stage the work. This way, she also secured the role of Marina Mniszech in the opera’s opening performance, which took place on 8 February 1874 in St Petersburg.

English

Boris Godunov by Mussorgsky, fre 07 jun 2024, Från (2024/2024), Regisserad av Mariusz Treliński,, Dirigent Michał Klauza, Moniuszko Auditorium, Warszawa, Polen

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Ensemble

Medproducent

Program, Om & Synopsis

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser