Name: Biennale-Eröffnung
Start: 2025-02-13T00:00:00.000Z
End: 2025-02-15T00:00:00.000Z
Location: Berliner Philharmonie

Admin

Berliner Philharmoniker

Conductor

Kirill Petrenko

Orchestra

Biennale-Eröffnung

Berlin

Germany

Berliner Philharmonie

Großer Saal

Public

Concert

Oratorio / Orchestral

Arcana

Superorganisms

Symphony No. 6 in F Major, op.68 ("Pastoral")

Keerthi Raj

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Mezzo-soprano

Bass

Soprano

Bass-baritone

Contralto

Baritone

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Unter dem Titel Paradise Lost? Von der Bedrohung der Natur eröffnen die Berliner Philharmoniker mit Chefdirigent Kirill Petrenko ihre dritte Biennale. Ein das Thema ideal reflektierendes Werk ist Beethovens »Pastorale«, die überschwänglich die Schönheit des Landlebens feiert. Doch das Idyll erweist sich als brüchig und wird von einem apokalyptischen Sturm hinweggefegt. Eine Naturerscheinung ganz anderer Art verkörpert Miroslav Srnkas Werk Superorganisms, hier zu hören in einer deutschen Erstaufführung. Auf faszinierende Weise schildert es Lebensformen, die nur in der Gemeinschaft existieren können. Das Eröffnungsstück Arcana von Edgard Varèse nimmt Bezug auf den Alchemisten Paracelsus, der nach einem Universalmittel zur Heilung der Menschen suchte.

Deutsch

Under the title Paradise Lost? On the Threat to Nature, the Berliner Philharmoniker and chief conductor Kirill Petrenko open their third Biennale. One work that ideally reflects the theme is Beethoven’s “Pastoral”, which exuberantly celebrates the beauty of country life. However, the idyll proves to be fragile and is swept away by an apocalyptic storm. Miroslav Srnka’s work Superorganisms, heard here in its German premiere, embodies a completely different kind of natural phenomenon. It depicts life forms that can only exist in a community in a fascinating way. The concert opens with Arcana, by Edgard Varèse; The title refers to 16th-century alchemist and astrologer Paracelsus, who sought universal knowledge, and believed that the stars could help understand human healing.

English

Biennale-Eröffnung by Varèse, Srnka, Beethoven, šeš 15 vas 2025, Nuo (2025/2025), Dirigentas Kirill Petrenko, Berliner Philharmonie, Berlin, Germany

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