Name: Beethoven’s Oratorio
Start: 2024-03-23T00:00:00.000Z
End: 2024-03-23T00:00:00.000Z
Location: Frihamnskyrkan

Organization

Dyrygent

Andreas Spering

Sopran

Sofie Asplund

Soprano

Kristian Lindroos

Bass

GöteborgsOperan

Others

GöteborgsOperans Kör

Orchestra

Göteborg Opera Orchestra

The Göteborg Opera’s Youth Choirs

Tenor

Tobias Westman

niemiecki

Beethoven’s Oratorio

Göteborg

Szwecja

Frihamnskyrkan

Beethoven’s Oratorio: Schicksalslied, op. 54 Brahms (+1 More)

Public

Schicksalslied, op. 54

Christus am Ölberge, op.85

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Kontratenor

Singer

Kontralt

Bas - baryton

Baryton

Mezzosopran

Spoken

Głos dziecięcy

Silent

Alto

Continuo

The Opera’s soloists and chorus plus the entire Göteborg Opera Orchestra visit the Frihamnskyrkan church to begin Holy Week with Beethoven’s only and rarely performed oratorio, Christ on the Mount of Olives.

In Christus am Ölberge (Christ on the Mount of Olives) we meet an anguished Jesus after the Last Supper, overcoming all fears in his tenor voice during a moment of torment in the Garden of Gethsemane. Prayer, the comfort of angels, the loyalty of friends, the realisation that it his mission to save humanity, the final capture and the hallelujah of angels – all are portrayed with tenderness and great drama. Perhaps the emotional register of the work reflects Beethoven’s own despair and slender hope at a time (1803) when his hearing was deteriorating rapidly.

The concert begins with Brahms’ shimmering Schicksalslied (Song of Destiny). This 17-minute symphonic poem for choir and orchestra hovers between the carefree realm of the gods and the trials and tribulations of mortals.

The concert will be conducted by internationally renowned Beethoven specialist Andreas Spering.

English

Beethoven’s Oratorio by Brahms, Beethoven, sob 23 mar 2024, od (2024/2024), Dyrygent Andreas Spering, Frihamnskyrkan, Göteborg, Szwecja

Udział w spektaklu (Obsada & realizacja )

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca