Name: Ariodante
Start: 2023-04-17T00:00:00.000Z
End: 2023-05-20T00:00:00.000Z
Location: Palais Garnier

Organization

Conductor

Harry Bicket

Chorus master

Alessandro Di Stefano

Lighting designer

Robert Carsen

Peter van Praet

Stage director

Singer

Soprano

Olga Kulchynska

Ginevra

Countertenor

Emily D'Angelo

Ariodante

Tenor

Eric Ferring

Lurcanio

Contralto

Christophe Dumaux

Polinesso

Tamara Banjesevic

Dalinda

Enrico Casari

Odoardo

Set designer

Costume designer

Luis F. Carvalho

Bass

Luca Pisaroni

The King of Scotland

Choreographer

Nicolas Paul

Matthew Brook

Opéra National de Paris

The English Concert

Others

Chœur de l’Opéra national de Paris

The Metropolitan Opera

Orchestra

Paris Opera Orchestra

italų

Paris

France

Palais Garnier

Ariodante Händel

Public

Private

prancūzų

anglų

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Mezzo-soprano

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

[INTERVIEW] Robert Carsen about ARIODANTE

Handel’s Ariodante at Opéra de Paris: Ariodante Händel

If Handel was alive today, it looks like he's resilient. As audiences drifted away from him in 1734–35 and his contract with the King's Theater drew to a close, the composer set about writing Ariodante , an opera seria intended to open the brand new Theater Royal in Covent Garden . As if galvanized by adversity, he delivers a radiant work, as virtuoso as the libretto – taken from an episode of Orlando furiosoof Ariosto – is simple: the princess of Scotland, Ginevra, loves Ariodante to whom she is promised, but a plot led by the traitor Polinesso makes her accuse of infidelity. If we find in this inspired score Handel's most beautiful lament, “Scherza infida”, the whole work is full of virtuoso arias and exudes theatrical intelligence. Enough to stimulate the inspiration of Robert Carsen, who signs after his anthology Alcina at the Opéra national de Paris, the new staging of Ariodante , composed the same year.

English

Si Haendel vivait aujourd’hui, on dirait qu’il est résilient. Alors qu’en 1734‑1735, le public s’éloigne de lui et que son contrat avec le King’s Theatre touche à sa fin, le compositeur se met à écrire Ariodante, un opera seria destiné à ouvrir le flambant neuf Théâtre royal de Covent Garden. Comme galvanisé par l’adversité, il livre une œuvre rayonnante, aussi virtuose que le livret – tiré d’un épisode d’Orlando furioso de l’Arioste – est simple : la princesse d’Écosse, Ginevra, aime Ariodante à qui elle est promise, mais un complot mené par le traître Polinesso la fait accuser d’infidélité. Si on trouve dans cette partition inspirée le plus beau lamento de Haendel, « Scherza infida », toute l’œuvre regorge d’arias virtuoses et respire l’intelligence théâtrale. De quoi stimuler l’inspiration de Robert Carsen, qui signe après son Alcina d’anthologie à l’Opéra national de Paris, la nouvelle mise en scène d’Ariodante, composé la même année.

français

Ariodante by Händel, ket 20 bal 2023, Nuo (2023/2023), Režisierius Robert Carsen,, Dirigentas Harry Bicket, Palais Garnier, Paris, France

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