Name: Ariadne auf Naxos
Start: 2006-12-16T00:00:00.000Z
End: 2007-01-06T00:00:00.000Z
Location: Opernhaus

Organization

Spoken

Alexander Pereira

Majordomus

Baryton

Michael Volle

Nauczyciel muzyki

Rolf Haustein

Sopran

Michelle Breedt

Kompozytor

Tenor

Roberto Saccà

Guy de Mey

Tancmistrz

Andreas Winkler

Elena Mosuc

Zerbinetta

Emily Magee

Primadonna

Gabriel Bermúdez

Arlekin

Martin Zysset

Scaramuccio

Reinhard Mayr

Trufaldino

Blagoj Nacoski

Brighella

Eva Liebau

Najada

Mezzosopran

Irène Friedli

Driada

Sandra Trattnigg

Echo

Andrew Ashwin

Perukarz

Ruben Drole

Lokaj

Dyrygent

Christoph von Dohnányi

Jochen Rieder

Reżyseria

Claus Guth

Scenografia

Christian Schmidt

Kostiumy

Reżyseria światła

Jürgen Hoffmann

Opernhaus Zürich

Orchestra

Philharmonia Zürich

niemiecki

Ariadne auf Naxos -  (Ariadna na Naxos)

Zurych

Szwajcaria

Opernhaus

Lwów

Ukraina

Ariadne auf Naxos is one of many beautifully crafted operas created by Richard Strauss and his librettist Hugo von Hofmannsthal. In the compelling production from the Zurich Opera, recorded on this DVD, Christoph von Dohnányi leads a particularly strong cast of singer-actors in a thrilling interpretation of the work. Ariadne is sung by the American soprano Emily Magee, who has received worldwide praise for her performances in works by both Wagner and Strauss. The German-born Italian tenor Roberto Saccà, who is regarded as one of the leading lyric tenors of his generation, takes the part of Bacchus. Both made their role débuts under Christoph von Dohnányi’s subtle yet sensual leadership, and both were acclaimed for their vocal radiance, subtle handling of the text and the care that they lavished on the technical aspects of their parts. The critics were also captivated by the rest of the brilliant cast: Elena Moşuc (Zerbinetta) lightly mastered the incredible heights of her role, Michael Volle was a vocally resplendent Music Master and Michelle Breedt a touching Composer. An entertaining and intelligently crafted production of one of the key operas exploring the intertextuality that occurs between “real life” and what today would be called “virtual reality”.

Hugo von Hofmannsthal called "Ariadne auf Naxos", which he created in close collaboration with Richard Strauss, one of the "finest structures". In fact, in its complexity, the work represents something very special. Reality and appearance, stage world and reality, comedy and tragedy, the broken, unhappy Ariadne and the cheerful, partnership-changing Zerbinetta - all these contrasting couples are presented in this "opera with prologue" clearly played off against each other. Emily Magee and Roberto Saccà shine in their role debuts as Ariadne and Bacchus, as does Elena Mosuc's Zerbinetta, which is incomparably dazzling, and Michelle Breedt's composer, who is deeply moving. Christoph von Dohnányi, one of the great Strauss interpreters of our time,

Claus Guth and Christian Schmidt from the production team underscore the dichotomy between music and words with a well-planned, surprisingly new reading. The prologue takes place in the house of "Vienna's richest man", who commissioned an opera group and a commedia dell'arte ensemble to entertain his guests. Due to lack of time, the Major-Domo, played by the director of the Zurich Opera Alexander Pereira, demands that the very different artists should appear at the same time. In Claus Guth's interpretation, this prologue is linked by abstract theatrical metaphors. The staging transforms the fictional location of the "deserted island", as required in the second part of the "opera in the opera", into a very real location, namely the time-honoured Zurich restaurant "

Ariadne auf Naxos Strauss,R

Public

Ariadna na Naxos

Approved

Instrumentalist

Pianista

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Libretto

Choreografia

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Bas - baryton

Kontralt

Kontratenor

Głos dziecięcy

Silent

Alto

Continuo

Hugo von Hofmannsthal called "Ariadne auf Naxos", which he created in close collaboration with Richard Strauss, one of the "finest structures". In fact, in its complexity, the work represents something very special. Reality and appearance, stage world and reality, comedy and tragedy, the broken, unhappy Ariadne and the cheerful, partnership-changing Zerbinetta - all these contrasting couples are presented in this "opera with prologue" clearly played off against each other. Emily Magee and Roberto Saccà shine in their role debuts as Ariadne and Bacchus, as does Elena Mosuc's Zerbinetta, which is incomparably dazzling, and Michelle Breedt's composer, who is deeply moving. Christoph von Dohnányi, one of the great Strauss interpreters of our time, fathoms the depths of the incredibly finely spun score with an elegant sense of sound and ensures a perfect balance between operetta-like lightness and a tragic operatic tone. Claus Guth and Christian Schmidt from the production team underscore the dichotomy between music and words with a well-planned, surprisingly new reading. The prologue takes place in the house of "Vienna's richest man", who commissioned an opera group and a commedia dell'arte ensemble to entertain his guests. Due to lack of time, the Major-Domo, played by the director of the Zurich Opera Alexander Pereira, demands that the very different artists should appear at the same time. In Claus Guth's interpretation, this prologue is linked by abstract theatrical metaphors. The staging transforms the fictitious place of the "deserted island", as required in the second part of the "Opera in the Opera", into a very real place, namely the time-honoured Zurich restaurant "Kronenhalle". The Neue Zürcher Zeitung particularly emphasizes the extremely "high level of quality" of this production. fidelio is a streaming service from ORF and Unitel. fidelio - your digital meeting place for classical music www.myfidelio.at www.facebook.com/myfidelio www.instagram.com/myfidelio_at www.twitter.com/myfidelio_at blog.myfidelio.at Courtesy of Unitel GmbH & Co. KG | © UNITEL 2006 licensed to: Klassik Digital Vertriebs GmbH Content used with kind permission of the respective copyright owner | © UNITEL 2006 licensed to:

Ariadna na Naxos by Strauss, śr 03 sty 2007, od (2006/2007), W reżyserii Claus Guth,, Dyrygent Christoph von Dohnányi, Jochen Rieder, Opernhaus, Zurych, Szwajcaria

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Program, informacje i streszczenie

Filmy

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca